Yes, “House” star Hugh Laurie is in the February 2009 issue of Playboy Magazine! No, unfortunately there is no nude pictorial! ha ha

The interview is pretty long!

PLAYBOY: You recently bought a house—a big one—in Los Angeles after years of commuting back and forth to London. Has Hugh Laurie gone Hollywood at last?
LAURIE: I’ve put down, not quite roots but more like a flowerpot. My family still lives in London, but I finally had to accept that House has some sort of permanence. I was so convinced in the first few years that it was never going to last—because nothing does. Simply statistically, the odds are very much against it in television. But here we are.

PLAYBOY: In fact, you’re coming up on the 100th episode. That makes Dr. House one of the crankiest success stories on TV since Archie Bunker, right?
LAURIE: Oh dear God. Don’t say that. Success on a cosmic level like that completely eludes me. I’m deeply suspicious of things being too good. It’s part of my superstition, I think, to generate pain in order to give the illusion of gain. That’s my MO. I’m not saying I reject success, but honestly, I don’t quite know how to deal with it. It’s an old feeling: As soon as you have the thing you’ve been going after all your life, that reasonable degree of security, you start kicking against it, doubting it. That’s why I get uneasy whenever journalists assemble lists. The best! The crankiest! I don’t feel worthy of any list. Lists are for bright and shiny people. Lists are for people on big and shiny shows like Lost, Desperate Housewives, Heroes. I’m more stubbly and grumpy than bright and shiny.

PLAYBOY: That sounds a little like House talking. How much of you is in him, and vice versa?
LAURIE: I guess we have certain similarities. We both look at the world with one eyebrow arched. We’re both quite serious but also have a childishness. He and I are eternal adolescents but with this morbid gravity. The other thing is, we both have issues with joy, in so much as we think it’s beyond us. I often picture that scene in the Woody Allen movie when he’s on the train and looks into another car that’s full of people laughing. They’re drinking champagne; somebody has a trombone. And Woody is very much on the outside of that, looking in. I’d say that sums up my view of the world, as well as House’s.

PLAYBOY: Hasn’t the show’s continued success improved your mood?
LAURIE: Not really. I think being moody is part of my nature, though looking back, I am much less moody and depressed now than when I was 25. Gradually I’ve mellowed. I was probably depressed all the time back then. Now it’s more occasional.

PLAYBOY: What changed?
LAURIE: It’s tiresome to be so wound up in yourself and dark, and it’s hard on others. My moodiness probably has a greater effect on other people—the people I live and work with—than it does on me. Nobody likes being around someone who’s bemoaning his fate all the time, and I didn’t want to be that person. I also understand now what gets me out of my head when I get depressed: physical exercise, doing a chore. I’ll hang a picture, let’s say. Or perhaps I’ll take a toothbrush and clean the spokes on my motorcycle.

PLAYBOY: What about antidepressants?
LAURIE: They have been an answer, yes. They’re something I’ve tried that has helped. They’re probably good for my work because they help with confidence, and confidence is the prerequisite of all successful endeavors. But then again, as I said, I get suspicious if things start to feel too easy or comfortable, so that’s not a perfect solution either.

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