cory monteith

May 18, 2013

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REVIEW: Glee “Prom-asaurus”

May 9, 2012 by Leave a Comment

Television proms are nothing like real proms, at least not the proms I attended back in the 1980s. Don’t judge me. The 80s were AWESOME! Glee isn’t set in the 80s unfortunately. Prom at McKinley High has been historically dramatic. At last year’s junior prom we had Karofsky crowned prom king with Kurt as his queen. Finn punched Jesse St. James and Quinn slapped Rachel. Senior prom was considerably less violent but no less dramatic. “Prom-asaurus” was a nice break from the heavy handed social-issue of the week stuff they’ve been hammering down our throats lately. The music was good, the mood was light (mostly) and it showed us how these characters have grown over the years, some more than others.

Sexy teen trollup Brittany (Heather Morris), in perhaps her only act as class president, took over the prom committee from the terror cell running it and declared the theme to be dinosaurs which included paper mache velociraptors, Sue’s prombrosia and cheetah-print Flintstone outfits. Oh and there was the ban on hair gel that really really upset Blaine (Darren Criss). Rachel (Lea Michele) wasn’t too keen on the idea either. Depressed over her epic failure at the Nyada audition and jealous over Finn (Cory Monteith) and Quinn (Dianna Agron) campaigning for king and queen she opts to hold an ANTI-PROM for the lonely and disenfranchised. Santana (Naya Rivera) hated this idea and told Rachel so as only Santana can.

Finn, being the eternal good guy, is torn between loving Rachel and wanting to support Quinn who is counting on the sympathy vote to win queen as her final crowning achievement. What nobody knows is that her therapy is going well and she can actually walk again. When he discovers this he gets angry and causes another scene on the dance floor that gets him ejected and sends him back to Rachel where he should have been all along.

Meanwhile Rachel’s anti-prom is pretty lame. Kurt and Blaine are bored and obviously want to go to prom despite their fear of reliving last year’s humiliation. When Finn shows up he convinces the group to come back with him which means Blaine loses the hair gel and debuts his natural fro to the world. Still cute! Puck and Becky stay behind and after Becky kicks his ass at strip poker he makes her a cardboard crown and they make a grand entrance at the prom. It was very sweet and any excuse to get Puck (Mark Salling) in his underwear gets thumbs up from me.

I mentioned growth before and nowhere was it more evident than in the announcement of prom queen. McKinley’s top mean girls Santana and Quinn were tasked with counting the votes and in a surprise move they tossed the ballots and gave the crown to Rachel Berry. I really enjoyed their discussion about how awesome their high school years had been and how they had one last chance to really make a difference. Bravo Glee for taking the high road.

The final moments of the episode really captured what those final few weeks of high school are like for seniors. Tina’s tearful admission that she really doesn’t want it to end was sweet. I remember feeling much the same way, only with fewer tears and less singing.

Speaking of singing, the music this week was all over the place stylistically but overall pretty good. Rachel, Kurt and Blaine’s performance of Fergie’s “Big Girls Don’t Cry” was almost perfect. It wasn’t the right song for Kurt’s range but I thought but he did a good job. Brittany’s “Dinosaur” was odd and quirky and fun but nothing I want to hear ever again. Santana tore up “Love You Like a Love Song” and the guys made the ladies swoon with “What Makes You Beautiful“. The hour rounded out with Quinn and Santana belting out “Take My Breath Away” where Quinn stood up for the first time in front of her friends. Mercedes said it best. PRAISE!

Like I said before, TV proms are not like real proms but that is okay. If Glee had modeled this episode after my prom experience then Kurt would have gone to prom with Mercedes, stayed for half an hour, met up with the rest of Glee club at The Waffle House for a late dinner and then ended up bowling. I had fun but I doubt the tv viewing public would agree.

Next week is Nationals and oh what a feeling it will be. Check out the preview below.

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REVIEW: Glee “On My Way”

February 22, 2012 by Leave a Comment

This week’s Glee reminded me of all this terrible after school specials from the 1970s only this was so much worse. All the current hot-button issues facing todays teens were beat over the head with baseball bats and smeared on stale melba toast. Teen suicide? Check! Texting while driving? Check! Vicious gay bullying? Check! Foolish and lovestruck kids getting married too young? Check! Geriatric pregnancy? Check! And it was awful. Really awful. So very very awful. I’ll try to be brief.

It goes without saying that the messages Glee tried so very hard to get across this week are important ones. I’ve suspected Dave Karofsky was headed for some sort of dramatic unravelling for a while now. I figured he’d get gay bashed or something to be honest and Kurt would help nurse him back to help. I was partially right. He did get bullied by his teammmates which he sort of had coming I guess. Wait, I take that back. No one ever has that coming. Still, I could see why they took him there. But when he laid his suit on the bed and pulled out his belt while Blaine sang that song about cough suppressants I came very close to turning the television off. How could they get this so wrong?

Glee has handled drama pretty well in the past. The whole Kurt/Dave bully storyline was masterfully done. But this was just horrid. That being said, Max Adler and Chris Colfer did a wonderful job with what they were given to work with. Their scene together in the hospital was the best thing about the whole episode and I’m very glad that Dave survived his suicide attempt.

And while we are on the subject of bullys…can we just be done with Sebastian? I get that the show needs a villain now that Sue is knocked up and overrun with hormonal changes but Sebastian is hardly worthy. He’s a boring villain and a boring singer, and now he’s not even a villain any more. After threatening to upload fake photoshop porn of Finn and sending Dave over the edge with his Liberace comment at Scandals he has seen the error of his ways and now wants to raise money for the Born This Way Foundation. Bravo for some growth there but wow…just bad writing folks. Bad bad bad.

The one happy note this week was the wedding of Finnchel. After Dave’s brush with death the New Directions are faced with their mortality and after a poor attempt by Mr. Schue to inspire them with peanut butter Rachel decides she no longer wants to wait to be Mrs. Finn Hudson. They decided to tie the knot at City Hall after Regionals and they hope everyone will be there. Sure their parents are still against it and as they gather before the ceremony Rachel’s dads come up with some clever ideas about how to pull the plug. Meanwhile Quinn is racing home to get the bridesmaids dress she didn’t have immediately before Regionals when she hadn’t made up her mind about attending and she gets distracted by her cell phone and happy thoughts about her triumphant return to the Cheerios and kicking ass at Yale. You can guess what happens next.

Right. Okay then. Glee…you are on thin ice. VERY THIN. This mid-season finale was just repulsive in every way. Even the music was bad…or maybe I was just so mad I didn’t notice it.

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REVIEW: Glee “Heart”

February 15, 2012 by 3 Comments

Who would have thought that Rachel’s two dads could breathe so much wonderful gay life into the gayest show on television? Glee has really been struggling this year. The music has been boring for the most part and at least half the time I find myself not caring at all about what’s going on. There have been bright spots and Rachel’s dads are by far the brightest.

This week was all about Finnchel’s upcoming nuptials and how most rational people don’t think it’s a good idea. Imagine their surprise when Rachel’s dads Leroy (Brian Stokes Mitchell) and Hiram (Jeff Goldblum) as well as the Hudson-Hummels embrace the idea fully and join together for a family dinner to celebrate. Too good to be true right? Right. The whole thing is a ruse to force Finn (Cory Monteith) and Rachel (Lea Michele) to face the realities of what they are about to do. I really loved the conversation between Hiram and Burt about lube! After dessert they sent Finnchel upstairs for the “teenage lovemaking”. It was a clever ruse on their part, and we all know the gays are known for their cleverness, but the whole thing backfired and now Finn and Rachel are even more intent on heading to the Chapel of Love.

So what else went on? Mercedes (Amber Riley) gave Sam (Chord Overstreet) and Shane the boot and feels so guilt about her whoring ways that she formed The God Squad. Her little chastity club consists of Quinn (Dianna Agron), Sam and new kid/Glee Project alum Teenage Jesus (Samuel Larson). He wears sandals and looks like he might smell bad, but he has a really nice voice. The God Squad decides to make some extra cash singing Valentines messages to the students of McKinley. They find their first customer in Finn who orders a big courtyard production of Stereo Hearts for Rachel. Mercedes delivers her own Valentine message with a wonderful and remarkably poignant version of Whitney Houston’s “I Will Always Love You“. Rest in peace Whitney!

Also looking for some love is Santana (Naya Rivera) who finds her attempts to show Brittany (Heather Morris) any affection thwarted by Principal Figgins. The moment he bellowed “TEENAGE LESBIANS!” in the school hallway was my favorite of the show I think. I plan to wander the halls of my office today shouting it as well. Santana eventually hits up the God Squad for a song and Brittany gets her Valentine song, a mashup of “Cherish” by The Association and “Cherish” by Madonna.

Rory (Damian McGinty) got some air time this week as he had a montage-battle with Artie (Kevin McHale) for the affections of the tonally challenged Sugar (Vanessa Lengies). Rory’s speaking voice and Rory’s singing voice seem to come from two different people and I like both of them. He won Sugar’s attention with a soulful, puppy-eyed version of Michael Buble’s “Home” but it looks like he might have lied just a teeny bit about being sent back to Ireland. Bad form Rory. Bad form indeed. Artie’s “Let Me Love You” was a treat as well.

The big surprise this week was the reveal of Kurt’s secret admirer. He had assumed it was Blaine the whole time even though everyone with opposable thumbs knew it wasn’t. I’ll admit I was stumped by who the man in the monkey suit might be until he removed the mask and I was like “OF COURSE!”. I suspected Dave Karofsky (Max Adler) had developed tinglings in his boxers for Kurt when they ran into each other at that tacky gay bar a few episodes back and it was nice to see Dave again. Is he looking cuter than before or is it just me? Anyway, Kurt shot him down as nicely as he could but Dave didn’t take it well. I suspect this isn’t the last we’ll hear of it. Blaine finally did show up to sing “Love Shack” with the crew. Maybe he’s back from his Broadway hiatus now.

Between Rachel’s gay dads, Karofsky’s baby steps out of the closet, Santana’s stand against double standards for hallway smooching and The God Squad’s debate on homosexuality and religion this could have easily been preachy episode. Instead I thought it was all handled rather well. Hiram and Leroy were not over the top as they easily could have been. I worried that these two would end up being more like Armand and Albert Goldman from The Birdcage and that would have been a tad too cliche. The music was pretty good too with Mercedes’ Whitney number being the stand out for me. Mike and Tina’s “L.O.V.E” was very nice too.

Next week is the winter finale and REGIONALS! Who do you think will win? McKinley or Dalton?

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REVIEW: Glee “The Spanish Teacher”

February 8, 2012 by Leave a Comment

Hola Gleeks! Nothing makes me happier than entitled American people butchering other languages resulting in hilarious nonsensical translations and this week’s Glee was mui completo of it. When a tenure position opens up at McKinley the race is on to secure the coveted position. Sadly Mr. Schue is on the bottom of the pile due to his complete and utter lack of a grasp on the spanish language which happens to be the subject he teaches. Oh had you forgotten that too? I thought I was the only one. Seems to me that he spends 100% of his time in the choir room but I could be wrong. Anyway, he signs up for a night class to learn some Spanish and ends up meeting his Latin Fairy Godfather…David Martinez (Ricky Martin).

Before the cast names have stopped flashing on the screen Schue (Matthew Morrison) has invited David and his bon bon to sing for the Glee club and teach them what it means to sing with duende and spins a horrifying tale of a future where we all speak Spanish. Horror! Mr. Martinez puts the kids at ease immediately with his tight blue jeans and his white teeth and his rapidly oscilating tush as he reminds those of us who forgot he existed just how sexy he is. Do you really want it? Oh yes.

Meanwhile outside the choir room plot is happening and this week it involves Sue (Jane Lynch) and her dusty vagina. Seems she wants to fill it with a baby and she wants a few ounces of Mr. Schue’s baby gravy so the kid will have good hair. Sue seems to have calmed down a bit this year and I like it. That doesn’t mean that we don’t get the snappy one liners anymore. They just come mostly from the coach of the McKinley Guppies, Roz Washington (NeNe Leakes). Color me sorprendido but I actually dig NeNe as the sassy Roz. She may be the most annoying Real Housewife on television but get her away from Kim and Sheree and give her a script and she’s actually quite funny. And let’s not forget that when she enters a room she OWNS IT. Her delivery is a little stiff from time to time but she got all the good lines this week. Roz is making a move on Sue’s job and she’s relentless.

It wouldn’t be Glee without a hot mess of unresolved relationship drama and this week it was mostly about Mercedes (Amber Riley) trying to figure out if she really likes hot blond muscular trouty mouth Sam (Chord Overstreet) or that tank of a man she wanders the hall with. Emma (Jayma Mays) suggests they not speak for a week to determine their true feelings. I wonder if they’ll find another way to communicate? A way that involves music?

In other unresolved relationship drama news the word is out about Rachel (Lea Michele) and Finn’s (Cory Monteith) engagement and no one is happy about it. It’s Kurt (Chris Colfer) that throws the biggest monkey wrench in the works with his locker room pep talk so it’s anyone’s guess how that will play out. Will and Emma have a minor tiff after Will is a supreme douchebag to her, but in the end the make up nice and make kissy faces.

So how was the music? I’m glad you asked. Ricky Martin dominated this episode with two performances, “I’m Sexy and I Know It” and “La Isla Bonita” with Santana and both will find their way to my iPod soon. “Bonita” is probably my least favorite Madonna track but they killed it. I think it was Ricky’s oscillating tush that put it over the edge. Mercedes made her feelings for Trouty Mouth known with a Spanish version of Gloria Estefan’s “Don’t Wanna Lose You Now” and Sam returned the favor with “Bamboleo / Hero“. It was Mr. Schue’s horrific rendition of “A Little Less Conversation” while dressed as a matador that really made the hour special. Kudos to Santana for calling him out on his embarrassing stereotypes.

Despite the treasure trove of one-liners from NeNe Leakes this week my favorite quote goes to Coach Bieste who delivered managed to cleverly work in a reference to “her little Cooter” while discussing Emma’s “Taint Misbehavin” educational pamphlet about how to properly clean one’s genitals. Well played Bieste. Well played. Next week it is Valentines Day and I’m betting there will be some tears.

What say you Gleeks? Should Ricky Martin shake his bon bon across the choir room again this season or is he terminado?

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REVIEW: Glee “Extraordinary Merry Christmas”

December 16, 2011 by Leave a Comment

The holidays have me busier than usual this year so I didn’t get a chance to polish my yule log and catch Glee’s “Extraordinary Merry Christmas” until later in the week. I can be a bit unfair to Christmas themed episodes due to the fact that I find Christmas music to be extraordinarily very tedious. Call me a Scrooge if you must but I did try very hard to not let my unmerry tendencies influence my enjoyment of this episode.

There was very little in the way of plot this week and based on what did seep through it was probably a good thing. It became obvious early on that Sue’s doctor has adjusted the dosage on her meds because she was so full of love and cheer that I expected her to ride down the street on the back of a reindeer throwing candy canes. I enjoy sweet Sue and wish we saw more of her. Long gone are the days when we were treated to heartwarming scenes between Sue and her sister. It’s time to give Sue a life outside of McKinley that does not involve being horrible to everyone.

This year her cause is bringing joy and cheer to the local homeless shelter and she enlists the help of New Directions to provide some Christmas music. The kids agree but quickly ditch Sue (Jane Lynch) in favor of local stardom and fame when offered their own basic cable Christmas special. And with a budget of $800 they manage to serve up a glossy 1960s Christmas full of lame (on purpose) jokes and lots of innuendo. The special-within-a-special was pretty fun actually and they could have salvaged the episode by taking us out of reality completely and devoting the entire hour to this black and white wonderland.

The episode was merry enough, and did remind me a bit of those terrible yet mesmerizing Christmas specials from my childhood that often featured unlikely duets such as Perry Como and Charo doing songs like “Have a Hoochie Coochie Holiday”. When thought of as just a standalone special it sort of works. But with all the lesbian drama and Sam (Chord Overstreet) being away from his family I think they really missed a chance to give us a heartfelt and emotional hour of television about the true meaning of the season. Instead we got a half-cocked sub plot about Rachel (Lea Michele) being selfish (SURPRISE) and learning that Christmas is about giving not receiving. YAWN. Give me Charlie Brown and his sad little tree any day over that mess.

The music was not awful, and that’s good because there was a lot of it. Mercedes (Amber Riley) kicked things off with “All I Want for Christmas Is You” and the songs came fast and furious, including “Blue Christmas” (Rory), “River” (Rachel) and the new track “Extraordinary Merry Christmas” (Blaine & Rachel). The title track was the best one of the lot actually. River was just painful but I think that’s because Tori Amos did that song at her Atlanta show back in November and well…sorry Rachel but she blew your maudlin warbling out of the water.

The TV special contained its own set of songs: “Let It Snow” (Blaine & Kurt), “My Favorite Things” (Mercedes, Rachel, Kurt & Blaine), “Santa Claus is Coming to Town” (Finn & Puck), “Christmas Wrapping” (The Cheerios) and “Do They Know It’s Christmas” (Everyone). None of them really stood out for me but I wasn’t wincing in pain either so let’s hear it for Christmas miracles.

That’s it for Glee in 2011. Let’s hope Ryan Murphy and team come back in 2012 with a fiery hot whirlwind of awesome episodes.

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REVIEW: Glee “Hold On To Sixteen”

December 7, 2011 by Leave a Comment

It is Sectionals time on Glee! Again! And once again New Directions is woefully unprepared thanks to Rachel’s political shenanigans which landed her with a suspension. Never fear because Finn (Cory Monteith) has the answer and it begins with an S and rhymes with BAM! Thanks to Facebook Finn has tracked Trouty Mouth down to rural Kentucky where he’s working as a male stripper named White Chocolate and rescues him from predatory cougars. Sam (Chord Overstreet) is welcomed back into the fold with open arms and immediately ruins it by singing a horrible horrible Toby Keith song called Red Solo Cup. Why oh why didn’t he sing “Jack and Diane” instead which would have made so much sense given the title of this episode and been much less embarassing? Oh well. Blaine (Darren Criss) isn’t as thrilled with Sam’s attempts to sex up the New Directions and has a mini meltdown in front of everyone. Finn finds him playing Fight Club and they make peace finally.

Quinn (Dianna Agron) still thinks winning Glee club competitions is the answer to all of life’s problems and will help her get the daughter she didn’t want back from that evil Shelby (Idina Menzel). Armed with the knowledge that Puck (Mark Salling) is currently “cleaning her pool” Quinn intends to tell Principal Figgins and have her fired before sectionals. Rachel (Lea Michele) of all people is the one who talks her down with a speech about how doing the wrong thing doesn’t feel that great. Then Shelby tells her a sad story about growing old and suddenly psychotic Quinn is gone and we have old Quinn back, and praise the baby Jesus cause that shit was getting old.

Kurt (Chris Colfer) and Blaine find themselves ambushed by supreme douche bag Sebastian Warbler at the local coffee house and war is declared over the love and affection of Blaine. I hate Sebastian and not just because he threatens to break up televisions most adorable couple. Sebastian exists only because the writers don’t have the sense to let Kurt release the Kraken on this loser and instead force him to be nice to this guy for no good reason. Whose feelings is he trying to spare here? Blaine couldn’t give two shits about this Warbler and is too naive to see that the guy is about to get all up in his business. I hardly believe that a guy who lost his shit because Sam introduced sexy-time body rolls to the New Directions dance repertoire would be easily coerced into meaningless sex with a troll like Sebastian, and if he were then well it would surely be the End of Days. And can we talk about Kurt’s wardrobe for a moment? This week wasn’t so bad but that wool cape he wore last week looked like something Joan Crawford wore in Mildred Pierce. Seriously!

The After School Special portion of the hour concerned the ongoing battle of dreams between Mike Chang (Harry Shum Jr) and his father. This week Tina intervened and managed to get Mr. Chang to rethink his old Asian ways a bit. Mike just wants to dance after all! And who cares if the life of a dance is full of rejection and heartache? Mr. Chang eventually comes around but it’s too late for Mike to apply to the best dance schools. Or is it? Tina to the rescue!

Oh right. Sectionals. I’m about to make some enemies here because with very few exceptions this season of Glee has really disappointed me with the music. A quick look at my iTunes illustrates this point very well. During season one I downloaded 120 tracks of pure glee awesomeness. Season two only provided 64 songs I cared to relive and so far out of 44 tracks released for season 3 I can only bear to relive 12 of them. And it’s not that the music is bad, it’s just gotten so flat and uninspired and this episode didn’t help. “Man in the Mirror” was great, and “Buenos Aires” was agreeable enough but the rest was just bleh. “I Will Survive”? Really? The mash up with “Survivor” might have helped if the whole thing hadn’t been so…I dunno….tame. The problem seemed to mostly be with the musical arrangement and not with the vocals so don’t think I’m dissing Santana or Mercedes singing here. It was just boring. I did enjoy “ABC” a lot but “Control” sent me to the kitchen looking for snacks. I had never heard “We Are Young” before so I can’t really compare, but I wasn’t rushing to ITunes looking for it after either. The best part of it was seeing the group together again. What does this mean for Shelby? Will the Trouble Tones continue without their powerhouse leads or will she vanish into the subplots like poor Emma Pillsbury? Also does anything think it’s weird that the fact Shelby is Rachel’s mother has completely been dropped? I mean she slept with Puck who ALSO diddled around with Rachel and that is fodder for at least one or two angst filled moments. And where are Rachel’s gay dads? Talk about a missed opportunity!

New Directions seemed destined to win sectionals this year if for no other reason than they got three full length performances instead of just the one song for the other two teams. Unitards? No better names lying around huh? Anyway, after the ego trip that begat the Trouble Tones to begin with I was happy to see their attitudes checked in a big way. And boring music aside I did enjoy the episode even if the general message seemed to be that stripping, while emotionally unfulfilling, is a bang up way to earn some extra cash in this crappy economy. Next week is the inevitable Christmas episode and I’ll go ahead and warn you now…I despise Christmas music. The preview looks promising though.

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REVIEW: Glee “I Am Unicorn”

September 28, 2011 by 1 Comment

I don’t know if it’s just me or not, but I sense something is different about Glee this year. The tone is darker and the songs seem to blend more effortlessly into the narrative instead of the “EVERYONE STOP SO WE CAN SING” vibe from last season. In fact it sort of mirrors the transformation Quinn has made this year. Glee has traded in its blond hair and pom poms for a nose ring and a smoking habit. I kind of like it.


The message this week was that everyone is a special little unicorn and they should shout that fact to the rooftops instead of hiding it. McKinley’s most special unicorn Kurt Hummel (Chris Colfer) is running for senior class president but doesn’t want his campaign to be “too gay” and his campaign manager Brittany (Heather Morris) feels it should be as gay as possible. This is very unlike Kurt and I don’t get why they decided to make him insecure about his masculinity this late in the game. His argument about not getting romantic leads opposite Kate Hudson has some merit, but I loved his father’s suggestion that he may have to write his own way to the big time. Reminds me of something my father said me when I mentioned dreams of wanting to be an animator for Disney. “Why would you want to spend your life drawing what Disney wants you to draw instead of what you want to draw?” Well said Dads. Kurt finally does come around, mostly, until his dreams of playing Tony in West Side Story are dashed because he’s too delicate.


Let me go on record that I love seeing Coach Bieste (Dot Marie Jones) and that freakish bony ginger Emma Pillsbury (Jayma Mays) involved in the New Directions daily operations. I know it won’t last for long but it’s a nice change of pace. I thought their meeting about the casting was extremely well done and I ached for poor Kurt as he listened to them debating his butchness after his bouncy rendition of “I Am The Greatest Star” from Funny Girl. Bieste got all the good lines in this one.

“He owned that song like it was his prison bitch, but I want a Tony that excites my lady parts.”

 

His chances of getting the role are pretty much sealed after his laughable Romeo and Juliet scene and Blaine’s complete ass kicking of “Something’s Coming“. Talk about owning a song. He brought the smack down on it and bought it breakfast in the morning. As far as talent goes Blaine (Darren Criss) is the male Rachel and I would start calling him Blainchel if that wasn’t sort of lame. His lack of screen time outside of song performances is criminal. I want to see his parents and family life. I want to see whose posters he has on his bedroom walls.


I am also digging on Mr. Schue’s newfound focus and drive when it comes to his glee club. He came into the new school year with a mission and isn’t shying away from telling it like it is, especially when it comes to Quinn (Dianna Agron) and her skanky attitude. I still don’t quite understand what sent her over the edge. Maybe I should watch the final episodes of last season again or something, but her pink hair and granola knit cap look more like a Halloween costume than anything. I get that she has given up on being loved and it is sort of hard to watch. And I don’t get where her sudden desire to mother the kid she gave up for adoption is coming from. It seems at odds with her “hey look how punk I am” persona and her complete rejection of the idea of doing anything resembling parenting with Puck (Mark Salling). Cut to the final moments when the old Quinn shows up in a sundress and vows to get full custody from Shelby (Idina Menzel). WTF?


Ah Shelby. I do adore Idina Menzel and she is wonderful in this role. Her scene with Puck when he sees his daughter for the first time was magical. Her reason for being back seems a bit forced with the new McKinley show choir created solely to provide nightmare Sugar with a musical outlet competing with the New Directions. I suspect there is a surprise or two in store on that front. And what about Finn’s dancing? I’m glad he found his groove instead of bailing.


Finally I should mention Rachel’s performance of “Somewhere“. Lea Michele can do almost anything vocally and she tore this song to pieces. It gave me chills. It has always been my favorite Barbra Streisand song and I think Lea’s version is at least as good as Babs. Well done Miss Michele.
Next week on Glee things get real when the competition for the role of Maria heats up and the divas battle for top billing. Tune in Tuesday at 8 on Fox.

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