Darren Criss

February 23, 2012

REVIEW: Glee “Extraordinary Merry Christmas”

The holidays have me busier than usual this year so I didn’t get a chance to polish my yule log and catch Glee’sExtraordinary Merry Christmas” until later in the week. I can be a bit unfair to Christmas themed episodes due to the fact that I find Christmas music to be extraordinarily very tedious. Call me a Scrooge if you must but I did try very hard to not let my unmerry tendencies influence my enjoyment of this episode.

There was very little in the way of plot this week and based on what did seep through it was probably a good thing. It became obvious early on that Sue’s doctor has adjusted the dosage on her meds because she was so full of love and cheer that I expected her to ride down the street on the back of a reindeer throwing candy canes. I enjoy sweet Sue and wish we saw more of her. Long gone are the days when we were treated to heartwarming scenes between Sue and her sister. It’s time to give Sue a life outside of McKinley that does not involve being horrible to everyone.

This year her cause is bringing joy and cheer to the local homeless shelter and she enlists the help of New Directions to provide some Christmas music. The kids agree but quickly ditch Sue (Jane Lynch) in favor of local stardom and fame when offered their own basic cable Christmas special. And with a budget of $800 they manage to serve up a glossy 1960s Christmas full of lame (on purpose) jokes and lots of innuendo. The special-within-a-special was pretty fun actually and they could have salvaged the episode by taking us out of reality completely and devoting the entire hour to this black and white wonderland.

The episode was merry enough, and did remind me a bit of those terrible yet mesmerizing Christmas specials from my childhood that often featured unlikely duets such as Perry Como and Charo doing songs like “Have a Hoochie Coochie Holiday”. When thought of as just a standalone special it sort of works. But with all the lesbian drama and Sam (Chord Overstreet) being away from his family I think they really missed a chance to give us a heartfelt and emotional hour of television about the true meaning of the season. Instead we got a half-cocked sub plot about Rachel (Lea Michele) being selfish (SURPRISE) and learning that Christmas is about giving not receiving. YAWN. Give me Charlie Brown and his sad little tree any day over that mess.

The music was not awful, and that’s good because there was a lot of it. Mercedes (Amber Riley) kicked things off with “All I Want for Christmas Is You” and the songs came fast and furious, including “Blue Christmas” (Rory), “River” (Rachel) and the new track “Extraordinary Merry Christmas” (Blaine & Rachel). The title track was the best one of the lot actually. River was just painful but I think that’s because Tori Amos did that song at her Atlanta show back in November and well…sorry Rachel but she blew your maudlin warbling out of the water.

The TV special contained its own set of songs: “Let It Snow” (Blaine & Kurt), “My Favorite Things” (Mercedes, Rachel, Kurt & Blaine), “Santa Claus is Coming to Town” (Finn & Puck), “Christmas Wrapping” (The Cheerios) and “Do They Know It’s Christmas” (Everyone). None of them really stood out for me but I wasn’t wincing in pain either so let’s hear it for Christmas miracles.

That’s it for Glee in 2011. Let’s hope Ryan Murphy and team come back in 2012 with a fiery hot whirlwind of awesome episodes.

REVIEW: Glee “Hold On To Sixteen”

It is Sectionals time on Glee! Again! And once again New Directions is woefully unprepared thanks to Rachel’s political shenanigans which landed her with a suspension. Never fear because Finn (Cory Monteith) has the answer and it begins with an S and rhymes with BAM! Thanks to Facebook Finn has tracked Trouty Mouth down to rural Kentucky where he’s working as a male stripper named White Chocolate and rescues him from predatory cougars. Sam (Chord Overstreet) is welcomed back into the fold with open arms and immediately ruins it by singing a horrible horrible Toby Keith song called Red Solo Cup. Why oh why didn’t he sing “Jack and Diane” instead which would have made so much sense given the title of this episode and been much less embarassing? Oh well. Blaine (Darren Criss) isn’t as thrilled with Sam’s attempts to sex up the New Directions and has a mini meltdown in front of everyone. Finn finds him playing Fight Club and they make peace finally.

Quinn (Dianna Agron) still thinks winning Glee club competitions is the answer to all of life’s problems and will help her get the daughter she didn’t want back from that evil Shelby (Idina Menzel). Armed with the knowledge that Puck (Mark Salling) is currently “cleaning her pool” Quinn intends to tell Principal Figgins and have her fired before sectionals. Rachel (Lea Michele) of all people is the one who talks her down with a speech about how doing the wrong thing doesn’t feel that great. Then Shelby tells her a sad story about growing old and suddenly psychotic Quinn is gone and we have old Quinn back, and praise the baby Jesus cause that shit was getting old.

Kurt (Chris Colfer) and Blaine find themselves ambushed by supreme douche bag Sebastian Warbler at the local coffee house and war is declared over the love and affection of Blaine. I hate Sebastian and not just because he threatens to break up televisions most adorable couple. Sebastian exists only because the writers don’t have the sense to let Kurt release the Kraken on this loser and instead force him to be nice to this guy for no good reason. Whose feelings is he trying to spare here? Blaine couldn’t give two shits about this Warbler and is too naive to see that the guy is about to get all up in his business. I hardly believe that a guy who lost his shit because Sam introduced sexy-time body rolls to the New Directions dance repertoire would be easily coerced into meaningless sex with a troll like Sebastian, and if he were then well it would surely be the End of Days. And can we talk about Kurt’s wardrobe for a moment? This week wasn’t so bad but that wool cape he wore last week looked like something Joan Crawford wore in Mildred Pierce. Seriously!

The After School Special portion of the hour concerned the ongoing battle of dreams between Mike Chang (Harry Shum Jr) and his father. This week Tina intervened and managed to get Mr. Chang to rethink his old Asian ways a bit. Mike just wants to dance after all! And who cares if the life of a dance is full of rejection and heartache? Mr. Chang eventually comes around but it’s too late for Mike to apply to the best dance schools. Or is it? Tina to the rescue!

Oh right. Sectionals. I’m about to make some enemies here because with very few exceptions this season of Glee has really disappointed me with the music. A quick look at my iTunes illustrates this point very well. During season one I downloaded 120 tracks of pure glee awesomeness. Season two only provided 64 songs I cared to relive and so far out of 44 tracks released for season 3 I can only bear to relive 12 of them. And it’s not that the music is bad, it’s just gotten so flat and uninspired and this episode didn’t help. “Man in the Mirror” was great, and “Buenos Aires” was agreeable enough but the rest was just bleh. “I Will Survive”? Really? The mash up with “Survivor” might have helped if the whole thing hadn’t been so…I dunno….tame. The problem seemed to mostly be with the musical arrangement and not with the vocals so don’t think I’m dissing Santana or Mercedes singing here. It was just boring. I did enjoy “ABC” a lot but “Control” sent me to the kitchen looking for snacks. I had never heard “We Are Young” before so I can’t really compare, but I wasn’t rushing to ITunes looking for it after either. The best part of it was seeing the group together again. What does this mean for Shelby? Will the Trouble Tones continue without their powerhouse leads or will she vanish into the subplots like poor Emma Pillsbury? Also does anything think it’s weird that the fact Shelby is Rachel’s mother has completely been dropped? I mean she slept with Puck who ALSO diddled around with Rachel and that is fodder for at least one or two angst filled moments. And where are Rachel’s gay dads? Talk about a missed opportunity!

New Directions seemed destined to win sectionals this year if for no other reason than they got three full length performances instead of just the one song for the other two teams. Unitards? No better names lying around huh? Anyway, after the ego trip that begat the Trouble Tones to begin with I was happy to see their attitudes checked in a big way. And boring music aside I did enjoy the episode even if the general message seemed to be that stripping, while emotionally unfulfilling, is a bang up way to earn some extra cash in this crappy economy. Next week is the inevitable Christmas episode and I’ll go ahead and warn you now…I despise Christmas music. The preview looks promising though.

REVIEW: Glee “Mash-off”

Fall means many things. It means rain in Atlanta, Christmas trees are going up at Wal-Mart and Glee is smushing perfectly good songs together into weird and ill-placed mash ups. Season Three has been no picnic. Tonally it is all over the place and Sue sylvester is wearing on my nerves. And while I am in favor of any storyline that involves Puck (Mark Salling) being sexy I don’t see where this Bermuda Triangle of fail concerning Puck, Shelby and Quinn with poor Baby Beth stuck in the middle is headed. Won’t someone think of the children?

“Mash-off” pits the rival glee clubs against one another in a friendly sing-off that Schue (Matthew Morrison) and Shelby (Idina Menzel) hope will restore the peace. But this little project is anything but friendly. The contest hasn’t even begun before Santana (Naya Rivera) starts hurling insults at Finn (Cory Monteith). Her motives are not entirely clear here and frankly she’s acting like a crazy person. I think the intent was to trash talk New Directions until they ran away whimpering but hurling fat jokes at someone who is neither fat nor has any body issues to begin with is just stupid. Even the other Troubletones thought it was lame. Who are those other girls anyway? Do they have names? Finn reacts as you would expect and hurls a few lame insults back at her that fall pretty flat. Santana is quick to remind us that her childhood was an experiment in neglect and terror and his insults can’t harm her. His next idea is even more confusing. Dodge ball? Really? Violence is always the answer when singing doesn’t work right?

The dodge ball match was a slaughter with the TroubleTones coming out on top, and ending in an all out assault on poor Rory (Damian McGinty) who ends up bloodied and whimpering on the gym floor. Imagine the stories he will tell his friends back home after his time in America is over. It is a horrible activity for school that I had blocked from my memory because I was never very good at it. When you are over six foot tall in the 9th grade you end up with a lot of exposed skin for the red ball to connect with but this isn’t about me. The spectacle gives Kurt (Chris Colfer) and idea for a worthy cause to base his campaign for senior class president on so I guess some good came out of it.

This race for president is perplexing to me. Shouldn’t this issue have been resolved like the first month of school and not a week before the holiday break? And who is that weird guy with the epic mullet? He gives me nightmares and I hope he vanishes into the sea of letter-jacket wearing extras soon. Rachel (Lea Michele) surprised no one but Kurt by dropping out of the race after she has a moment of clarity while discussing college with Shelby and thus begins the transition from bitchy Rachel to adorable Rachel for the second half of the season. Kurt has this president thing in the bag.

Let’s not forget the race for Congress between Sue (Jane Lynch) and Burt Hummel (Mike O’Malley) that serves no purpose other than providing a nice clean exit strategy for Burt and Carol at the end of this season. I realize Glee doesn’t exactly operate on any realm of reality but this subplot isn’t worthy of Saved By The Bell much less a flashy network show like Glee. Let’s hope it is resolved before the Christmas break. I don’t want to spend 2012 watching Sue and Burt debate anything. Mr. Belding for Congress!

Back to the angry lesbian. Teenagers are evil spiteful basement dwellers so when Finn called Santana out publicly for not coming out I wasn’t surprised. That doesn’t mean I agree with it. Outing someone is never cool and I hope that they make that point clearly and not send the message that it is a valid weapon in the war we call high school. Finn certainly seemed clueless about the impact of his statement and I can’t really hate on Santana for slapping him. I can’t really hate on Finn either because he doesn’t have a spiteful bone in his body. It was a mistake and one that will have repercussions. Kudos for Mr Schue, Burt and Sue coming to her aid when the mysterious other candidate uses the info against Sue in a campaign ad. Compassionate Sue always comes out of left field and surprises me. I wish she’d hang around more.

Also getting called out this week was Quinn (Dianna Agron) who is only slightly less evil and vindictive than Santana. I’m glad Puck came clean to Shelby about their plot to take back Baby Beth even if his motives were a bit creepy. This is another subplot that needs to be wrapped up post haste. Glee seems to be on a mission to make us hate all the girls at once this year. The only one not being horrible is Brittany (Heather Morris) but I’m sure I can find some reason to get mad at her if I think about it long enough.

The music was actually pretty good this week which is a nice change. I wasn’t nuts about Puck’s Van Halen tribute “Hot For Teacher” and I didn’t like Schue and Shelby’s “You and I” mash up until the second listen. As a child of the 80s I was really diggin the Pat Benatar/Blondie “Hit Me With Your Best Shot/One Way Or Another” and Hall and Oates “I Can’t Go For That/Dreams“. Who doesn’t love Hall & Oates? And who doesn’t love Puck, Finn, Artie and Rory with pornstache? The double dose of Adele at the end with “Rumor Has It/Someone Like You” was well done and expected given that you can’t turn around these days without Adele providing the soundtrack. I did think the transition from Santana running from Sue’s office in tears immediately to the stage to sing was a bit weird. Someone needs to have a chat with the editor. And would someone PLEASE give Blaine some pants that fit! I am tired of looking at his ankles.

Glee is on break for Turkey Day and won’t be back for two weeks. But when it does return we have a fine, fresh fierce Katy Perry cover to look forward to, and you’ll like it.

‘Glee’ goes purple for the big premiere

Glee roared back onto Tuesday nights with a bunch of changes and a lot of new faces. Team McKinley wasted no time in dealing out the whos and whats and got us all up to speed within the first few minutes. Lauren (Ashley Fink) is gone, from Glee Club at least and possibly from our consciousness and that is just a crying shame. Also gone is Trouty Mouth Sam (Chord Overstreet) who we found out for sure dated Mercedes for a hot minute back in June and has since moved away. Mercedes (Amber Riley) has since moved on to a big hunk of chocolate lovin who wants to make cocoa babies with her. About time Mercedes got some. Wait, I keep forgetting these are high school kids. Anyway, Quinn (Dianna Agron) also seems to be M.I.A as the gleeks convene in the choir room for some melodic geekgasms with Mr. Schue.

Schue (Matthew Morrison) has his work cut out for him this year now that Sue (Jane Lynch) is running for local congress and is hell-bent on ending federal funding for the arts in public schools. Schue and his lady Emma (Jayma Mays) go on the offensive with a glitter-bomb during Cheerio tryouts that unfortunately backfires. Schue and his songbirds are also facing a humiliating Nationals loss and the inevitable backlash from the student body. He hoped to get thing going again with his weird and misguided Purple Piano Project but all he managed to do was get one set on fire and another destroyed by Hurricane Sue. So far the year is not off to a good start.

The winner of The Glee Project made an appearance when Kurt (Chris Colfer) and Rachel (Lea Michele) went to a NYADA (New York Academy of Dramatic Arts) mixer to kick off their Broadway dreams. McKinley’s two stars got served a piping hot ladle of truth when the other hopefuls basically danced and sang circles around them and they were left crying in Rachel’s Chevy Volt while garden-hose rain poured down.

There were some fun moments, my fave being the delusional Glee club hopeful Sugar whose audition was the stuff nightmares are made of and her Aspergers the stuff of comedy gold. I hope we see more of her shouting inappropriate things at people in the future. The big shock of the night came from Quinn who finally showed up looking like an extra from The Legend of Billy Jean with pink hair and a band of new friends who call themselves The Skanks. I don’t really know where this complete change of character came from but her wistful looks at her old castmates doing jazz hands means it probably won’t last long. I kind of like the pink hair though.

More big news came when Blaine (Darren Criss) transfered to McKinley to spend more time with his boyfriend Kurt. This spells trouble for Finn’s spot as the male lead but I think it will be a nice breath of fabulous air for them. I especially liked Blaine’s sassy red pants but I think I’ll miss the cute Warblers blazer and their tight choreography. Oh, and let’s not forget that Santana (Naya Rivera) was banned from Glee Club for being a traitor! That won’t be good for anyone cause you know she’s a spiteful little thing.

The music didn’t dominate this episode which was nice. I’m guessing since they had a lot of exposition to get through there wasn’t a lot of room for warbling. But the songs they did sing were pretty good. The lunchroom Go-Gos party with “We Got the Beat” was appropriately peppy but nothing I feel I need to download on Itunes just yet. Kurt and Rachel’s song from Wicked “Ding Dong the Witch is Dead“ was wonderful of course. I really should see that show eventually I suppose. Blaine tore up “It’s So Unusual” but Blaine tears up everything and he can keep right on doing it as far as I’m concerned. I wasn’t nuts about the medley the NYADA kids did but the “You Can’t Stop the Beat” finale was good stuff.

My favorite quote:

Brittany: I have pepperoni in my bra.
Santana: Those are your nipples.

Glee seems to be getting back to it’s fun season one roots this year and I say bring it on. Things got a bit heavy handed last year despite some great episodes. This premiere brought enough shake ups and the promise of our seniors leaving at the end of this year should be enough to keep things interesting. Welcome to another year of Glee folks.

Tune in next week when we find out what the heck “I Am Unicorn” means.

REVIEW: Glee “Original Songs”

For me, the sure sign of a really good episode of Glee is when I catch myself bopping around in my car jamming to the songs on my way to work the next morning. This morning I was not only jamming but I was full on gleeking out. I wanted to get out of my car at one of the longer red lights I have to sit through and dance as well but I just turned 40 last weekend and well, I no longer have any rhythm whatsoever. Last night’s episode was amazing. I loved every second of it completely.
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REVIEW: Glee “Sexy”

Gwyneth Paltrow returned to Glee this week to teach everyone about sex and in the process she managed to hold together an episode that was trying desperately to get away from her. Glee has always played fast and loose with reality but they really outdid themselves on this one.

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Blaine and his Warblers to release CD

Glee has been a music juggernaut since day one when they started selling tracks from each episode on iTunes almost immediately after each show aired. Since then they have surpassed Elvis as the artist with the most songs placed on the Billboard Hot 100 chart, even though most of those tracks only stayed on the chart for one week. They are showing no signs of slowing down either.

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