Jane Lynch

February 23, 2012

REVIEW: Glee “The Spanish Teacher”

Hola Gleeks! Nothing makes me happier than entitled American people butchering other languages resulting in hilarious nonsensical translations and this week’s Glee was mui completo of it. When a tenure position opens up at McKinley the race is on to secure the coveted position. Sadly Mr. Schue is on the bottom of the pile due to his complete and utter lack of a grasp on the spanish language which happens to be the subject he teaches. Oh had you forgotten that too? I thought I was the only one. Seems to me that he spends 100% of his time in the choir room but I could be wrong. Anyway, he signs up for a night class to learn some Spanish and ends up meeting his Latin Fairy Godfather…David Martinez (Ricky Martin).

Before the cast names have stopped flashing on the screen Schue (Matthew Morrison) has invited David and his bon bon to sing for the Glee club and teach them what it means to sing with duende and spins a horrifying tale of a future where we all speak Spanish. Horror! Mr. Martinez puts the kids at ease immediately with his tight blue jeans and his white teeth and his rapidly oscilating tush as he reminds those of us who forgot he existed just how sexy he is. Do you really want it? Oh yes.

Meanwhile outside the choir room plot is happening and this week it involves Sue (Jane Lynch) and her dusty vagina. Seems she wants to fill it with a baby and she wants a few ounces of Mr. Schue’s baby gravy so the kid will have good hair. Sue seems to have calmed down a bit this year and I like it. That doesn’t mean that we don’t get the snappy one liners anymore. They just come mostly from the coach of the McKinley Guppies, Roz Washington (NeNe Leakes). Color me sorprendido but I actually dig NeNe as the sassy Roz. She may be the most annoying Real Housewife on television but get her away from Kim and Sheree and give her a script and she’s actually quite funny. And let’s not forget that when she enters a room she OWNS IT. Her delivery is a little stiff from time to time but she got all the good lines this week. Roz is making a move on Sue’s job and she’s relentless.

It wouldn’t be Glee without a hot mess of unresolved relationship drama and this week it was mostly about Mercedes (Amber Riley) trying to figure out if she really likes hot blond muscular trouty mouth Sam (Chord Overstreet) or that tank of a man she wanders the hall with. Emma (Jayma Mays) suggests they not speak for a week to determine their true feelings. I wonder if they’ll find another way to communicate? A way that involves music?

In other unresolved relationship drama news the word is out about Rachel (Lea Michele) and Finn’s (Cory Monteith) engagement and no one is happy about it. It’s Kurt (Chris Colfer) that throws the biggest monkey wrench in the works with his locker room pep talk so it’s anyone’s guess how that will play out. Will and Emma have a minor tiff after Will is a supreme douchebag to her, but in the end the make up nice and make kissy faces.

So how was the music? I’m glad you asked. Ricky Martin dominated this episode with two performances, “I’m Sexy and I Know It” and “La Isla Bonita” with Santana and both will find their way to my iPod soon. “Bonita” is probably my least favorite Madonna track but they killed it. I think it was Ricky’s oscillating tush that put it over the edge. Mercedes made her feelings for Trouty Mouth known with a Spanish version of Gloria Estefan’s “Don’t Wanna Lose You Now” and Sam returned the favor with “Bamboleo / Hero“. It was Mr. Schue’s horrific rendition of “A Little Less Conversation” while dressed as a matador that really made the hour special. Kudos to Santana for calling him out on his embarrassing stereotypes.

Despite the treasure trove of one-liners from NeNe Leakes this week my favorite quote goes to Coach Bieste who delivered managed to cleverly work in a reference to “her little Cooter” while discussing Emma’s “Taint Misbehavin” educational pamphlet about how to properly clean one’s genitals. Well played Bieste. Well played. Next week it is Valentines Day and I’m betting there will be some tears.

What say you Gleeks? Should Ricky Martin shake his bon bon across the choir room again this season or is he terminado?

REVIEW: Glee “Extraordinary Merry Christmas”

The holidays have me busier than usual this year so I didn’t get a chance to polish my yule log and catch Glee’sExtraordinary Merry Christmas” until later in the week. I can be a bit unfair to Christmas themed episodes due to the fact that I find Christmas music to be extraordinarily very tedious. Call me a Scrooge if you must but I did try very hard to not let my unmerry tendencies influence my enjoyment of this episode.

There was very little in the way of plot this week and based on what did seep through it was probably a good thing. It became obvious early on that Sue’s doctor has adjusted the dosage on her meds because she was so full of love and cheer that I expected her to ride down the street on the back of a reindeer throwing candy canes. I enjoy sweet Sue and wish we saw more of her. Long gone are the days when we were treated to heartwarming scenes between Sue and her sister. It’s time to give Sue a life outside of McKinley that does not involve being horrible to everyone.

This year her cause is bringing joy and cheer to the local homeless shelter and she enlists the help of New Directions to provide some Christmas music. The kids agree but quickly ditch Sue (Jane Lynch) in favor of local stardom and fame when offered their own basic cable Christmas special. And with a budget of $800 they manage to serve up a glossy 1960s Christmas full of lame (on purpose) jokes and lots of innuendo. The special-within-a-special was pretty fun actually and they could have salvaged the episode by taking us out of reality completely and devoting the entire hour to this black and white wonderland.

The episode was merry enough, and did remind me a bit of those terrible yet mesmerizing Christmas specials from my childhood that often featured unlikely duets such as Perry Como and Charo doing songs like “Have a Hoochie Coochie Holiday”. When thought of as just a standalone special it sort of works. But with all the lesbian drama and Sam (Chord Overstreet) being away from his family I think they really missed a chance to give us a heartfelt and emotional hour of television about the true meaning of the season. Instead we got a half-cocked sub plot about Rachel (Lea Michele) being selfish (SURPRISE) and learning that Christmas is about giving not receiving. YAWN. Give me Charlie Brown and his sad little tree any day over that mess.

The music was not awful, and that’s good because there was a lot of it. Mercedes (Amber Riley) kicked things off with “All I Want for Christmas Is You” and the songs came fast and furious, including “Blue Christmas” (Rory), “River” (Rachel) and the new track “Extraordinary Merry Christmas” (Blaine & Rachel). The title track was the best one of the lot actually. River was just painful but I think that’s because Tori Amos did that song at her Atlanta show back in November and well…sorry Rachel but she blew your maudlin warbling out of the water.

The TV special contained its own set of songs: “Let It Snow” (Blaine & Kurt), “My Favorite Things” (Mercedes, Rachel, Kurt & Blaine), “Santa Claus is Coming to Town” (Finn & Puck), “Christmas Wrapping” (The Cheerios) and “Do They Know It’s Christmas” (Everyone). None of them really stood out for me but I wasn’t wincing in pain either so let’s hear it for Christmas miracles.

That’s it for Glee in 2011. Let’s hope Ryan Murphy and team come back in 2012 with a fiery hot whirlwind of awesome episodes.

REVIEW: Glee “Mash-off”

Fall means many things. It means rain in Atlanta, Christmas trees are going up at Wal-Mart and Glee is smushing perfectly good songs together into weird and ill-placed mash ups. Season Three has been no picnic. Tonally it is all over the place and Sue sylvester is wearing on my nerves. And while I am in favor of any storyline that involves Puck (Mark Salling) being sexy I don’t see where this Bermuda Triangle of fail concerning Puck, Shelby and Quinn with poor Baby Beth stuck in the middle is headed. Won’t someone think of the children?

“Mash-off” pits the rival glee clubs against one another in a friendly sing-off that Schue (Matthew Morrison) and Shelby (Idina Menzel) hope will restore the peace. But this little project is anything but friendly. The contest hasn’t even begun before Santana (Naya Rivera) starts hurling insults at Finn (Cory Monteith). Her motives are not entirely clear here and frankly she’s acting like a crazy person. I think the intent was to trash talk New Directions until they ran away whimpering but hurling fat jokes at someone who is neither fat nor has any body issues to begin with is just stupid. Even the other Troubletones thought it was lame. Who are those other girls anyway? Do they have names? Finn reacts as you would expect and hurls a few lame insults back at her that fall pretty flat. Santana is quick to remind us that her childhood was an experiment in neglect and terror and his insults can’t harm her. His next idea is even more confusing. Dodge ball? Really? Violence is always the answer when singing doesn’t work right?

The dodge ball match was a slaughter with the TroubleTones coming out on top, and ending in an all out assault on poor Rory (Damian McGinty) who ends up bloodied and whimpering on the gym floor. Imagine the stories he will tell his friends back home after his time in America is over. It is a horrible activity for school that I had blocked from my memory because I was never very good at it. When you are over six foot tall in the 9th grade you end up with a lot of exposed skin for the red ball to connect with but this isn’t about me. The spectacle gives Kurt (Chris Colfer) and idea for a worthy cause to base his campaign for senior class president on so I guess some good came out of it.

This race for president is perplexing to me. Shouldn’t this issue have been resolved like the first month of school and not a week before the holiday break? And who is that weird guy with the epic mullet? He gives me nightmares and I hope he vanishes into the sea of letter-jacket wearing extras soon. Rachel (Lea Michele) surprised no one but Kurt by dropping out of the race after she has a moment of clarity while discussing college with Shelby and thus begins the transition from bitchy Rachel to adorable Rachel for the second half of the season. Kurt has this president thing in the bag.

Let’s not forget the race for Congress between Sue (Jane Lynch) and Burt Hummel (Mike O’Malley) that serves no purpose other than providing a nice clean exit strategy for Burt and Carol at the end of this season. I realize Glee doesn’t exactly operate on any realm of reality but this subplot isn’t worthy of Saved By The Bell much less a flashy network show like Glee. Let’s hope it is resolved before the Christmas break. I don’t want to spend 2012 watching Sue and Burt debate anything. Mr. Belding for Congress!

Back to the angry lesbian. Teenagers are evil spiteful basement dwellers so when Finn called Santana out publicly for not coming out I wasn’t surprised. That doesn’t mean I agree with it. Outing someone is never cool and I hope that they make that point clearly and not send the message that it is a valid weapon in the war we call high school. Finn certainly seemed clueless about the impact of his statement and I can’t really hate on Santana for slapping him. I can’t really hate on Finn either because he doesn’t have a spiteful bone in his body. It was a mistake and one that will have repercussions. Kudos for Mr Schue, Burt and Sue coming to her aid when the mysterious other candidate uses the info against Sue in a campaign ad. Compassionate Sue always comes out of left field and surprises me. I wish she’d hang around more.

Also getting called out this week was Quinn (Dianna Agron) who is only slightly less evil and vindictive than Santana. I’m glad Puck came clean to Shelby about their plot to take back Baby Beth even if his motives were a bit creepy. This is another subplot that needs to be wrapped up post haste. Glee seems to be on a mission to make us hate all the girls at once this year. The only one not being horrible is Brittany (Heather Morris) but I’m sure I can find some reason to get mad at her if I think about it long enough.

The music was actually pretty good this week which is a nice change. I wasn’t nuts about Puck’s Van Halen tribute “Hot For Teacher” and I didn’t like Schue and Shelby’s “You and I” mash up until the second listen. As a child of the 80s I was really diggin the Pat Benatar/Blondie “Hit Me With Your Best Shot/One Way Or Another” and Hall and Oates “I Can’t Go For That/Dreams“. Who doesn’t love Hall & Oates? And who doesn’t love Puck, Finn, Artie and Rory with pornstache? The double dose of Adele at the end with “Rumor Has It/Someone Like You” was well done and expected given that you can’t turn around these days without Adele providing the soundtrack. I did think the transition from Santana running from Sue’s office in tears immediately to the stage to sing was a bit weird. Someone needs to have a chat with the editor. And would someone PLEASE give Blaine some pants that fit! I am tired of looking at his ankles.

Glee is on break for Turkey Day and won’t be back for two weeks. But when it does return we have a fine, fresh fierce Katy Perry cover to look forward to, and you’ll like it.

REVIEW: Glee “The First Time”

 

When I heard the kids at McKinley were getting their groove on this week on Glee I flashed back to the “Like a Virgin” number from season one and wondered which Rihanna song they would use to vocally violate each other. The cynical me was assuming that somehow they would screw this up. Instead Team Glee treated us to a solid hour of television about teen sex that was neither gratuitous nor tawdry but still managed to upset one or two concernstipated conservative groups. Well done Glee for taking something that could have been a mess of bad porn dialogue and clumsy foreplay montages and turning out something respectable and downright sweet.

The hormonal pot at McKinley is stirred when Artie suggests that Rachel “Put A Berry on Top” Berry (Lea Michele) and Blaine “Sex on a Stick” Anderson cannot possibly convey the emotions required to play Maria and Tony in West Side Story if they haven’t had sex. I could totally buy into Rachel’s untarnished chastity but Blaine can fornicate with a glance and the poor boy just can’t help it. The fact that he seems so clueless about it just makes him sexier and demonstrates what a talent Darren Criss is.

Faced with this new information about how she can improve her performance Rachel leaps into action and directly onto lanky and clumsy Finn (Cory Monteith) whom she plans to violate before opening night. Blaine seems a bit more perplexed by the situation until he meets resident rogue and sexual predator Sebastian Smythe (Grant Gustin) who is the newest Warbler and wears the navy blue blazer well. Sebastian is a bit of a cad and reminds me a lot of another famous Sebastian of the Manhattan Valmonts who was also devastatingly attractive and morally loose. Sebastian makes a play for Blaine and invites him out to the local gay bar Scandals.

Oh Scandals. Kudos to Glee for getting the small town gay bar so very very right. Atlanta is not really a small town but we have bars exactly like that, ones I used to hang out in quite a bit back in the 90s (Buddies I’m looking at YOU). It was nice to see a gay bar portrayed as something other than a bath house for Abercrombie models with coke addictions for a change. I do wish Kurt had struck up a conversation with the Cher drag queen though. Oh missed opportunities.

Back to the sex. Typically on Glee when fornication is involved things go horribly wrong so when Rachel reveals she decided to give Finn her precious flower to help her acting it was no shock that he responded badly. A drunk Blaine doesn’t fair much better after a night of dancing at Scandals. Poor Sebastian’s plan backfired a bit and sent Blaine running into Kurt’s pants at the end of the night, but when Blaine tries to manhandle Kurt in the car he gets rebuffed and storms off. All this drama was juxtaposed with thoughtfully performed songs from West Side Story, a musical I’ve never really cared for and am not afraid to admit it. Revoke my Gay Card if you must. The interest rate is too high anyway.

The kids weren’t the only ones getting lucky this week though. In one of the weirder subplots we’ve seen on Glee Artie (Kevin McHale) counsels Coach Bieste on her love life and after a pep talk with the hunky coach Cooter from Ohio State he manages to get the two out on a date. I love that Coach Bieste (Dot Marie Jones) is getting some hunky love but the scenario with Artie was just a bit too weird for me. I enjoyed his insecurity about directing to be more compelling by far and his speech about being in a wheelchair was very touching.

Opening night comes and goes with everyone still a virgin, but it isn’t long before the fire in their loins erupts and our favorite McKinley virgins take that very after-school-special next step toward adulthood complete with soft lighting and creative camera angles. When Rachel and Blaine take to the stage for their post-coital performance they are positively glowing with sexual awareness. This pivotal episode stumbled a bit here and there but overall it was good stuff and there was plenty of drama. I really felt for Finn when he had his meltdown after being told his football career was ending in high school. Cory Monteith did a fine job conveying Finn’s sense of hopelessness knowing that Rachel is destined for a bright career on Broadway and he feels his options are gone. Her response that his “dreams are not dead, he just outgrew them” was perfect. And I enjoyed the closure that came with Kurt’s encounter with his former nemesis and newly hatched bear cub Dave Karofsky at Scandals. I hope that isn’t the last we see of Max Adler. The confrontation between Mike Chang (Harry Shum Jr) and his father before opening night seemed a bit out of place though. I get that they needed to explain his Dad’s reaction but it felt a bit like a scene they couldn’t find a place for.

What about the music? I’ve said before West Side Story isn’t one of my favorites but there are some decent songs from it. Blaine and Rachel’s “Tonight” is decent enough given it was performed before their sexual awakening. The Warblers had some fun with Billy Joel’s “Uptown Girl” but without Blaine on lead it lacked something. The choreography was tight though. The real treat this week was Santana who made “A Boy Like That” and “America” her bitches. Rachel and Blaine rounded out the hour with “One Hand, One Heart” over the foreplay montage.

It is very annoying that this episode is treated as something so controversial and polarizing when teens are having sex on TV all the time in other shows that no one seems to get upset about. I suspect the fact that Glee does pull in a bit younger demographic than they really intended to has something to do with it, but I think the larger issue with concernstipated conservatives is not so much that teens are having sex on Glee but that gay teens are. No one seems at all upset that Puck routinely sleeps with older women while cleaning their pools.

Next week it appears Glee is diving headlong into the rival glee club drama and Puck is making his move on Shelby.

Glee: “Pot O Gold”

I have to wonder after seeing this most recent episode of Glee if executive producers Ryan Murphy and Brad Falchuk are too busy with American Horror Story to pay any attention to their singing cash cow. “Pot O Gold” was written by Ali Adler who is new to the Glee team and the ex-girlfriend of Sarah Gilbert and it was a big mess.

The dilemma this week, as with most weeks, is that Sue is still on her tired and at this point ridiculous campaign to cut funding for the arts in school all because she hates Will Schuster’s hair. Some weeks Sue is funny but this was not one of those weeks. Each season she seems to evolve just a little only to be reset back to default settings. I really thought we had broken through a wall with the death of her sister and her seemingly genuine appreciation for what the New Directions did for her, but that is all gone and I am getting bored with her fast.

Also boring but in a different way is the manic schizophrenic bi-polar-esque breakdown of Quinn Fabray. She started out this year as a pink haired skank channeling Betty Rizzo and now she’s back to wearing sweaters and pretending to want to sing while she plots the reacquisition of the baby she gave up for adoption back in season one. Quinn has acknowledged since day one that she doesn’t believe there is any future for her outside of Lima, Ohio but I don’t understand why she wants the baby back so badly and so suddenly. For someone so down on herself she seems strangely confident that she’d be an amazing mother despite having no discernable income to speak of and the only prospects for a man to help out being Puck who only wants to clean pools and doesn’t seem all that into her anyway. But she’s only 17 and teens are stupid! Maybe so, but I don’t buy it. Further adding to this mess is her plan to have Shelby declared unfit. Puck quickly realizes this plan is cray cray and sabotages the plot before it gets out of hand. Oh and he spent half the episode with his shirt off so YAY PUCK!

Speaking of cray cray, Brittany took her special blend of nutty to a whole new level this by believing her new live-in exchange student Roy Flanagan is a leprechaun. I feel bad for Damian McGinty that his introduction to the show after winning The Glee Project was so silly and contrived. The gag was old before the first commercial break and they drug it out for the entire hour! He did get two good songs in though, and the boy can sing. The good news though is that Brittany and Santana are officially dating and I think “officially” means “secretly” in this case. And Santana uses her power over Brittany to lure her into joining Shelby’s all girl show choir The Troubletones. With New Directions splintered Roy gets his chance to shine despite being shoved around the halls of McKinley by jocks with inexplicably epic mullets.

With so little to like about this episode I must give mad props to Burt Hummel. His decision (with some prodding from Will) to run for Congress against Sue was the one plot development to come out of this week that I really enjoyed. I have a good feeling he’ll win which will open up the door for the Hummel’s to leave the show when Kurt graduates at the end of this year. The seed was planted for Finn to take over running the auto shop should Burt head off to Washington which gives Finn a future to grab onto that doesn’t involve going to New York and the basis for some friction with Rachel. Sue in Congress just doesn’t make sense and suffering a landslide defeat to Burt would send her spiraling into another level of madness that could actually be funny.

Now what about the music? Roy’s “Being Green” was a bit sappy for my taste and seemed a little forced, but I’ll cut the kid some slack since he’s new. He really showed his range on “Take Care Of Yourself” even if the song was a bit weird. Blaine’s “Last Friday Night” was fun but crammed into the plot with a shoehorn. I did enjoy Puck’s “Waiting For A Girl Like You” but it wasn’t clear if he was singing to Beth or to Shelby. It could be both I guess. The highlight of the hour was “Candyman” by The Troubletones. Brittany, Santana and Mercedes together are a force of nature and that is just a great song.

Glee returns next week with lots of sex and more boys kissing!

‘Glee’ goes purple for the big premiere

Glee roared back onto Tuesday nights with a bunch of changes and a lot of new faces. Team McKinley wasted no time in dealing out the whos and whats and got us all up to speed within the first few minutes. Lauren (Ashley Fink) is gone, from Glee Club at least and possibly from our consciousness and that is just a crying shame. Also gone is Trouty Mouth Sam (Chord Overstreet) who we found out for sure dated Mercedes for a hot minute back in June and has since moved away. Mercedes (Amber Riley) has since moved on to a big hunk of chocolate lovin who wants to make cocoa babies with her. About time Mercedes got some. Wait, I keep forgetting these are high school kids. Anyway, Quinn (Dianna Agron) also seems to be M.I.A as the gleeks convene in the choir room for some melodic geekgasms with Mr. Schue.

Schue (Matthew Morrison) has his work cut out for him this year now that Sue (Jane Lynch) is running for local congress and is hell-bent on ending federal funding for the arts in public schools. Schue and his lady Emma (Jayma Mays) go on the offensive with a glitter-bomb during Cheerio tryouts that unfortunately backfires. Schue and his songbirds are also facing a humiliating Nationals loss and the inevitable backlash from the student body. He hoped to get thing going again with his weird and misguided Purple Piano Project but all he managed to do was get one set on fire and another destroyed by Hurricane Sue. So far the year is not off to a good start.

The winner of The Glee Project made an appearance when Kurt (Chris Colfer) and Rachel (Lea Michele) went to a NYADA (New York Academy of Dramatic Arts) mixer to kick off their Broadway dreams. McKinley’s two stars got served a piping hot ladle of truth when the other hopefuls basically danced and sang circles around them and they were left crying in Rachel’s Chevy Volt while garden-hose rain poured down.

There were some fun moments, my fave being the delusional Glee club hopeful Sugar whose audition was the stuff nightmares are made of and her Aspergers the stuff of comedy gold. I hope we see more of her shouting inappropriate things at people in the future. The big shock of the night came from Quinn who finally showed up looking like an extra from The Legend of Billy Jean with pink hair and a band of new friends who call themselves The Skanks. I don’t really know where this complete change of character came from but her wistful looks at her old castmates doing jazz hands means it probably won’t last long. I kind of like the pink hair though.

More big news came when Blaine (Darren Criss) transfered to McKinley to spend more time with his boyfriend Kurt. This spells trouble for Finn’s spot as the male lead but I think it will be a nice breath of fabulous air for them. I especially liked Blaine’s sassy red pants but I think I’ll miss the cute Warblers blazer and their tight choreography. Oh, and let’s not forget that Santana (Naya Rivera) was banned from Glee Club for being a traitor! That won’t be good for anyone cause you know she’s a spiteful little thing.

The music didn’t dominate this episode which was nice. I’m guessing since they had a lot of exposition to get through there wasn’t a lot of room for warbling. But the songs they did sing were pretty good. The lunchroom Go-Gos party with “We Got the Beat” was appropriately peppy but nothing I feel I need to download on Itunes just yet. Kurt and Rachel’s song from Wicked “Ding Dong the Witch is Dead“ was wonderful of course. I really should see that show eventually I suppose. Blaine tore up “It’s So Unusual” but Blaine tears up everything and he can keep right on doing it as far as I’m concerned. I wasn’t nuts about the medley the NYADA kids did but the “You Can’t Stop the Beat” finale was good stuff.

My favorite quote:

Brittany: I have pepperoni in my bra.
Santana: Those are your nipples.

Glee seems to be getting back to it’s fun season one roots this year and I say bring it on. Things got a bit heavy handed last year despite some great episodes. This premiere brought enough shake ups and the promise of our seniors leaving at the end of this year should be enough to keep things interesting. Welcome to another year of Glee folks.

Tune in next week when we find out what the heck “I Am Unicorn” means.

Glee Sing-A-Long brings out the stars

Glee fans and cast members converged on a high school in Santa Monica this past Monday August 15th for a Glee Sing-A-Long event that appears to have been quite awesome. Musical numbers from the second season were screened for 2,000 Academy of Television Arts & Sciences members and fan and fellow gleeks Jane Lynch, Chris Colfer, Harry Shum Jr, Kristin Chenoweth, Mike O’Malley and Dot Marie Jones were on hand to help out. Looks like Coach Bieste was having some fun with tiny April Rhodes.

Check out the photos below.

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