Mark Salling

May 22, 2013

REVIEW: Glee “Prom-asaurus”

Television proms are nothing like real proms, at least not the proms I attended back in the 1980s. Don’t judge me. The 80s were AWESOME! Glee isn’t set in the 80s unfortunately. Prom at McKinley High has been historically dramatic. At last year’s junior prom we had Karofsky crowned prom king with Kurt as his queen. Finn punched Jesse St. James and Quinn slapped Rachel. Senior prom was considerably less violent but no less dramatic. “Prom-asaurus” was a nice break from the heavy handed social-issue of the week stuff they’ve been hammering down our throats lately. The music was good, the mood was light (mostly) and it showed us how these characters have grown over the years, some more than others.

Sexy teen trollup Brittany (Heather Morris), in perhaps her only act as class president, took over the prom committee from the terror cell running it and declared the theme to be dinosaurs which included paper mache velociraptors, Sue’s prombrosia and cheetah-print Flintstone outfits. Oh and there was the ban on hair gel that really really upset Blaine (Darren Criss). Rachel (Lea Michele) wasn’t too keen on the idea either. Depressed over her epic failure at the Nyada audition and jealous over Finn (Cory Monteith) and Quinn (Dianna Agron) campaigning for king and queen she opts to hold an ANTI-PROM for the lonely and disenfranchised. Santana (Naya Rivera) hated this idea and told Rachel so as only Santana can.

Finn, being the eternal good guy, is torn between loving Rachel and wanting to support Quinn who is counting on the sympathy vote to win queen as her final crowning achievement. What nobody knows is that her therapy is going well and she can actually walk again. When he discovers this he gets angry and causes another scene on the dance floor that gets him ejected and sends him back to Rachel where he should have been all along.

Meanwhile Rachel’s anti-prom is pretty lame. Kurt and Blaine are bored and obviously want to go to prom despite their fear of reliving last year’s humiliation. When Finn shows up he convinces the group to come back with him which means Blaine loses the hair gel and debuts his natural fro to the world. Still cute! Puck and Becky stay behind and after Becky kicks his ass at strip poker he makes her a cardboard crown and they make a grand entrance at the prom. It was very sweet and any excuse to get Puck (Mark Salling) in his underwear gets thumbs up from me.

I mentioned growth before and nowhere was it more evident than in the announcement of prom queen. McKinley’s top mean girls Santana and Quinn were tasked with counting the votes and in a surprise move they tossed the ballots and gave the crown to Rachel Berry. I really enjoyed their discussion about how awesome their high school years had been and how they had one last chance to really make a difference. Bravo Glee for taking the high road.

The final moments of the episode really captured what those final few weeks of high school are like for seniors. Tina’s tearful admission that she really doesn’t want it to end was sweet. I remember feeling much the same way, only with fewer tears and less singing.

Speaking of singing, the music this week was all over the place stylistically but overall pretty good. Rachel, Kurt and Blaine’s performance of Fergie’s “Big Girls Don’t Cry” was almost perfect. It wasn’t the right song for Kurt’s range but I thought but he did a good job. Brittany’s “Dinosaur” was odd and quirky and fun but nothing I want to hear ever again. Santana tore up “Love You Like a Love Song” and the guys made the ladies swoon with “What Makes You Beautiful“. The hour rounded out with Quinn and Santana belting out “Take My Breath Away” where Quinn stood up for the first time in front of her friends. Mercedes said it best. PRAISE!

Like I said before, TV proms are not like real proms but that is okay. If Glee had modeled this episode after my prom experience then Kurt would have gone to prom with Mercedes, stayed for half an hour, met up with the rest of Glee club at The Waffle House for a late dinner and then ended up bowling. I had fun but I doubt the tv viewing public would agree.

Next week is Nationals and oh what a feeling it will be. Check out the preview below.

REVIEW: Glee “Choke”

This week’s episode of Glee was called “Choke” and sadly it was not based on the Chuck Palahniuk novel of the same name. I had a sneaky suspicion that it referred to the much anticipated Nyada auditions for Kurt and Rachel and which one of them was going to screw it up. The writers did a bang up job trying to convince us it was going to be Kurt but anyone with half a brain knew that Rachel (Lea Michele) was going down. Why? Because they’ve spent three seasons cramming her talent down our throats and while she has stumbled before she was due for a big fall, especially after that voiceover about how she is a gas giant ready to become a star. And there is no bigger fall than flubbing the words to the song she has been singing since she pirouetted out of Shelby’s uterus. We know she can wipe the floor with “Don’t Rain on My Parade“. But failure makes for good drama right! This setback is just a freckle on the nose of life’s complexion. Don’t fret over the fate of our golden throated diva. This is television for teens after all. Things are gonna work out.

Life is going much better for Kurt (Chris Colfer). After wisely ditching his original plan of doing “Music of the Night” with a dead-eyed Tina Chang as Christine he opted for shiny gold pants and copious pelvic thrusts to win over the heart of stodgy judge Carmen Tibideau (Whoopi Goldberg). His raging hormonal rendention of Peter Allen’s “Not The Boy Next Door” did the trick and it looks like he’s Nyada bound.

In the midst of all the Nyada drama there is the little problem of graduation and the fact that Puck (Mark Salling) is just now realizing he won’t be joining his bros unless he nails the European Geography exam, or more specifically the European Geography teacher who he figures is easier than the exam. His rock hard abs and irresistible charm fail to win the newly divorced and lonely woman over and he decides to drop out via a big High School Musical version of Alice Cooper’s anthem of angst “Schools Out“. A visit from his deadbeat father quickly changes his mind and he asks his bros for help. After a night with the Glee Boys he might just be ready for the exam, but not before torturing us with “The Rain in Spain” from My Fair Lady. The baby Jesus wept.

Meanwhile the girls were getting a hard lesson in respect from “Black Sue” Roz Washington (Nene Leakes). High school girls are mean. I remember. And when Roz catches the Glee girls making fun of Coach Bieste’s (Dot Marie Jones) black eye they end up on her “list” and forced to do a song representing female empowerment. Naturally they get it wrong and do a song about crazy women in their panties killing men over gum. The song, “Cell Block Tango” was not one of my faves. Chicago is a great show but I just didn’t enjoy the track. Later when they find out Coach Bieste is being battered by her new husband Cooter they redeem themselves with Florence + The Machine’s “Shake it Out“.

Rachel rounded out the hour with a tearful and loud version of “Cry” by Kelly Clarkson while we were shown the various ways in which people choked this week. Coach Bieste choked on her decision to leave Cooter and lied to Sue and Roz about it. Puck choked on his exam even though he thought he did okay on it. And Blaine choked on hair gel. The only one who didn’t choke was Kurt. I vote for season four being The Kurt Hummel Variety Hour featuring Blaine Anderson and the Warblers.

Glee has been very uneven and frustrating for me since the winter break, hence the lack of reviews lately. Last week’s “Whitney” tribute was pretty amazing and while “Choke” had some good moments, some great acting and a couple of good songs overall it was just okay. The domestic violence issue was handled gracefully I thought and I liked that not everyone gets a happy ending. Glee make try to convince us that breaking out in song is normal but it’s nice to see that they don’t always intend on sugar coating everything. Graduation is looming fast though and there is a lot to resolve before they put on those caps and gowns. Next up is prom which has been given a dinosaur theme by class president Brittany. That should be interesting.

What did you guys think of “Choke”?

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REVIEW: Glee “Hold On To Sixteen”

It is Sectionals time on Glee! Again! And once again New Directions is woefully unprepared thanks to Rachel’s political shenanigans which landed her with a suspension. Never fear because Finn (Cory Monteith) has the answer and it begins with an S and rhymes with BAM! Thanks to Facebook Finn has tracked Trouty Mouth down to rural Kentucky where he’s working as a male stripper named White Chocolate and rescues him from predatory cougars. Sam (Chord Overstreet) is welcomed back into the fold with open arms and immediately ruins it by singing a horrible horrible Toby Keith song called Red Solo Cup. Why oh why didn’t he sing “Jack and Diane” instead which would have made so much sense given the title of this episode and been much less embarassing? Oh well. Blaine (Darren Criss) isn’t as thrilled with Sam’s attempts to sex up the New Directions and has a mini meltdown in front of everyone. Finn finds him playing Fight Club and they make peace finally.

Quinn (Dianna Agron) still thinks winning Glee club competitions is the answer to all of life’s problems and will help her get the daughter she didn’t want back from that evil Shelby (Idina Menzel). Armed with the knowledge that Puck (Mark Salling) is currently “cleaning her pool” Quinn intends to tell Principal Figgins and have her fired before sectionals. Rachel (Lea Michele) of all people is the one who talks her down with a speech about how doing the wrong thing doesn’t feel that great. Then Shelby tells her a sad story about growing old and suddenly psychotic Quinn is gone and we have old Quinn back, and praise the baby Jesus cause that shit was getting old.

Kurt (Chris Colfer) and Blaine find themselves ambushed by supreme douche bag Sebastian Warbler at the local coffee house and war is declared over the love and affection of Blaine. I hate Sebastian and not just because he threatens to break up televisions most adorable couple. Sebastian exists only because the writers don’t have the sense to let Kurt release the Kraken on this loser and instead force him to be nice to this guy for no good reason. Whose feelings is he trying to spare here? Blaine couldn’t give two shits about this Warbler and is too naive to see that the guy is about to get all up in his business. I hardly believe that a guy who lost his shit because Sam introduced sexy-time body rolls to the New Directions dance repertoire would be easily coerced into meaningless sex with a troll like Sebastian, and if he were then well it would surely be the End of Days. And can we talk about Kurt’s wardrobe for a moment? This week wasn’t so bad but that wool cape he wore last week looked like something Joan Crawford wore in Mildred Pierce. Seriously!

The After School Special portion of the hour concerned the ongoing battle of dreams between Mike Chang (Harry Shum Jr) and his father. This week Tina intervened and managed to get Mr. Chang to rethink his old Asian ways a bit. Mike just wants to dance after all! And who cares if the life of a dance is full of rejection and heartache? Mr. Chang eventually comes around but it’s too late for Mike to apply to the best dance schools. Or is it? Tina to the rescue!

Oh right. Sectionals. I’m about to make some enemies here because with very few exceptions this season of Glee has really disappointed me with the music. A quick look at my iTunes illustrates this point very well. During season one I downloaded 120 tracks of pure glee awesomeness. Season two only provided 64 songs I cared to relive and so far out of 44 tracks released for season 3 I can only bear to relive 12 of them. And it’s not that the music is bad, it’s just gotten so flat and uninspired and this episode didn’t help. “Man in the Mirror” was great, and “Buenos Aires” was agreeable enough but the rest was just bleh. “I Will Survive”? Really? The mash up with “Survivor” might have helped if the whole thing hadn’t been so…I dunno….tame. The problem seemed to mostly be with the musical arrangement and not with the vocals so don’t think I’m dissing Santana or Mercedes singing here. It was just boring. I did enjoy “ABC” a lot but “Control” sent me to the kitchen looking for snacks. I had never heard “We Are Young” before so I can’t really compare, but I wasn’t rushing to ITunes looking for it after either. The best part of it was seeing the group together again. What does this mean for Shelby? Will the Trouble Tones continue without their powerhouse leads or will she vanish into the subplots like poor Emma Pillsbury? Also does anything think it’s weird that the fact Shelby is Rachel’s mother has completely been dropped? I mean she slept with Puck who ALSO diddled around with Rachel and that is fodder for at least one or two angst filled moments. And where are Rachel’s gay dads? Talk about a missed opportunity!

New Directions seemed destined to win sectionals this year if for no other reason than they got three full length performances instead of just the one song for the other two teams. Unitards? No better names lying around huh? Anyway, after the ego trip that begat the Trouble Tones to begin with I was happy to see their attitudes checked in a big way. And boring music aside I did enjoy the episode even if the general message seemed to be that stripping, while emotionally unfulfilling, is a bang up way to earn some extra cash in this crappy economy. Next week is the inevitable Christmas episode and I’ll go ahead and warn you now…I despise Christmas music. The preview looks promising though.

REVIEW: Glee “Mash-off”

Fall means many things. It means rain in Atlanta, Christmas trees are going up at Wal-Mart and Glee is smushing perfectly good songs together into weird and ill-placed mash ups. Season Three has been no picnic. Tonally it is all over the place and Sue sylvester is wearing on my nerves. And while I am in favor of any storyline that involves Puck (Mark Salling) being sexy I don’t see where this Bermuda Triangle of fail concerning Puck, Shelby and Quinn with poor Baby Beth stuck in the middle is headed. Won’t someone think of the children?

“Mash-off” pits the rival glee clubs against one another in a friendly sing-off that Schue (Matthew Morrison) and Shelby (Idina Menzel) hope will restore the peace. But this little project is anything but friendly. The contest hasn’t even begun before Santana (Naya Rivera) starts hurling insults at Finn (Cory Monteith). Her motives are not entirely clear here and frankly she’s acting like a crazy person. I think the intent was to trash talk New Directions until they ran away whimpering but hurling fat jokes at someone who is neither fat nor has any body issues to begin with is just stupid. Even the other Troubletones thought it was lame. Who are those other girls anyway? Do they have names? Finn reacts as you would expect and hurls a few lame insults back at her that fall pretty flat. Santana is quick to remind us that her childhood was an experiment in neglect and terror and his insults can’t harm her. His next idea is even more confusing. Dodge ball? Really? Violence is always the answer when singing doesn’t work right?

The dodge ball match was a slaughter with the TroubleTones coming out on top, and ending in an all out assault on poor Rory (Damian McGinty) who ends up bloodied and whimpering on the gym floor. Imagine the stories he will tell his friends back home after his time in America is over. It is a horrible activity for school that I had blocked from my memory because I was never very good at it. When you are over six foot tall in the 9th grade you end up with a lot of exposed skin for the red ball to connect with but this isn’t about me. The spectacle gives Kurt (Chris Colfer) and idea for a worthy cause to base his campaign for senior class president on so I guess some good came out of it.

This race for president is perplexing to me. Shouldn’t this issue have been resolved like the first month of school and not a week before the holiday break? And who is that weird guy with the epic mullet? He gives me nightmares and I hope he vanishes into the sea of letter-jacket wearing extras soon. Rachel (Lea Michele) surprised no one but Kurt by dropping out of the race after she has a moment of clarity while discussing college with Shelby and thus begins the transition from bitchy Rachel to adorable Rachel for the second half of the season. Kurt has this president thing in the bag.

Let’s not forget the race for Congress between Sue (Jane Lynch) and Burt Hummel (Mike O’Malley) that serves no purpose other than providing a nice clean exit strategy for Burt and Carol at the end of this season. I realize Glee doesn’t exactly operate on any realm of reality but this subplot isn’t worthy of Saved By The Bell much less a flashy network show like Glee. Let’s hope it is resolved before the Christmas break. I don’t want to spend 2012 watching Sue and Burt debate anything. Mr. Belding for Congress!

Back to the angry lesbian. Teenagers are evil spiteful basement dwellers so when Finn called Santana out publicly for not coming out I wasn’t surprised. That doesn’t mean I agree with it. Outing someone is never cool and I hope that they make that point clearly and not send the message that it is a valid weapon in the war we call high school. Finn certainly seemed clueless about the impact of his statement and I can’t really hate on Santana for slapping him. I can’t really hate on Finn either because he doesn’t have a spiteful bone in his body. It was a mistake and one that will have repercussions. Kudos for Mr Schue, Burt and Sue coming to her aid when the mysterious other candidate uses the info against Sue in a campaign ad. Compassionate Sue always comes out of left field and surprises me. I wish she’d hang around more.

Also getting called out this week was Quinn (Dianna Agron) who is only slightly less evil and vindictive than Santana. I’m glad Puck came clean to Shelby about their plot to take back Baby Beth even if his motives were a bit creepy. This is another subplot that needs to be wrapped up post haste. Glee seems to be on a mission to make us hate all the girls at once this year. The only one not being horrible is Brittany (Heather Morris) but I’m sure I can find some reason to get mad at her if I think about it long enough.

The music was actually pretty good this week which is a nice change. I wasn’t nuts about Puck’s Van Halen tribute “Hot For Teacher” and I didn’t like Schue and Shelby’s “You and I” mash up until the second listen. As a child of the 80s I was really diggin the Pat Benatar/Blondie “Hit Me With Your Best Shot/One Way Or Another” and Hall and Oates “I Can’t Go For That/Dreams“. Who doesn’t love Hall & Oates? And who doesn’t love Puck, Finn, Artie and Rory with pornstache? The double dose of Adele at the end with “Rumor Has It/Someone Like You” was well done and expected given that you can’t turn around these days without Adele providing the soundtrack. I did think the transition from Santana running from Sue’s office in tears immediately to the stage to sing was a bit weird. Someone needs to have a chat with the editor. And would someone PLEASE give Blaine some pants that fit! I am tired of looking at his ankles.

Glee is on break for Turkey Day and won’t be back for two weeks. But when it does return we have a fine, fresh fierce Katy Perry cover to look forward to, and you’ll like it.

REVIEW: Glee “The First Time”

 

When I heard the kids at McKinley were getting their groove on this week on Glee I flashed back to the “Like a Virgin” number from season one and wondered which Rihanna song they would use to vocally violate each other. The cynical me was assuming that somehow they would screw this up. Instead Team Glee treated us to a solid hour of television about teen sex that was neither gratuitous nor tawdry but still managed to upset one or two concernstipated conservative groups. Well done Glee for taking something that could have been a mess of bad porn dialogue and clumsy foreplay montages and turning out something respectable and downright sweet.

The hormonal pot at McKinley is stirred when Artie suggests that Rachel “Put A Berry on Top” Berry (Lea Michele) and Blaine “Sex on a Stick” Anderson cannot possibly convey the emotions required to play Maria and Tony in West Side Story if they haven’t had sex. I could totally buy into Rachel’s untarnished chastity but Blaine can fornicate with a glance and the poor boy just can’t help it. The fact that he seems so clueless about it just makes him sexier and demonstrates what a talent Darren Criss is.

Faced with this new information about how she can improve her performance Rachel leaps into action and directly onto lanky and clumsy Finn (Cory Monteith) whom she plans to violate before opening night. Blaine seems a bit more perplexed by the situation until he meets resident rogue and sexual predator Sebastian Smythe (Grant Gustin) who is the newest Warbler and wears the navy blue blazer well. Sebastian is a bit of a cad and reminds me a lot of another famous Sebastian of the Manhattan Valmonts who was also devastatingly attractive and morally loose. Sebastian makes a play for Blaine and invites him out to the local gay bar Scandals.

Oh Scandals. Kudos to Glee for getting the small town gay bar so very very right. Atlanta is not really a small town but we have bars exactly like that, ones I used to hang out in quite a bit back in the 90s (Buddies I’m looking at YOU). It was nice to see a gay bar portrayed as something other than a bath house for Abercrombie models with coke addictions for a change. I do wish Kurt had struck up a conversation with the Cher drag queen though. Oh missed opportunities.

Back to the sex. Typically on Glee when fornication is involved things go horribly wrong so when Rachel reveals she decided to give Finn her precious flower to help her acting it was no shock that he responded badly. A drunk Blaine doesn’t fair much better after a night of dancing at Scandals. Poor Sebastian’s plan backfired a bit and sent Blaine running into Kurt’s pants at the end of the night, but when Blaine tries to manhandle Kurt in the car he gets rebuffed and storms off. All this drama was juxtaposed with thoughtfully performed songs from West Side Story, a musical I’ve never really cared for and am not afraid to admit it. Revoke my Gay Card if you must. The interest rate is too high anyway.

The kids weren’t the only ones getting lucky this week though. In one of the weirder subplots we’ve seen on Glee Artie (Kevin McHale) counsels Coach Bieste on her love life and after a pep talk with the hunky coach Cooter from Ohio State he manages to get the two out on a date. I love that Coach Bieste (Dot Marie Jones) is getting some hunky love but the scenario with Artie was just a bit too weird for me. I enjoyed his insecurity about directing to be more compelling by far and his speech about being in a wheelchair was very touching.

Opening night comes and goes with everyone still a virgin, but it isn’t long before the fire in their loins erupts and our favorite McKinley virgins take that very after-school-special next step toward adulthood complete with soft lighting and creative camera angles. When Rachel and Blaine take to the stage for their post-coital performance they are positively glowing with sexual awareness. This pivotal episode stumbled a bit here and there but overall it was good stuff and there was plenty of drama. I really felt for Finn when he had his meltdown after being told his football career was ending in high school. Cory Monteith did a fine job conveying Finn’s sense of hopelessness knowing that Rachel is destined for a bright career on Broadway and he feels his options are gone. Her response that his “dreams are not dead, he just outgrew them” was perfect. And I enjoyed the closure that came with Kurt’s encounter with his former nemesis and newly hatched bear cub Dave Karofsky at Scandals. I hope that isn’t the last we see of Max Adler. The confrontation between Mike Chang (Harry Shum Jr) and his father before opening night seemed a bit out of place though. I get that they needed to explain his Dad’s reaction but it felt a bit like a scene they couldn’t find a place for.

What about the music? I’ve said before West Side Story isn’t one of my favorites but there are some decent songs from it. Blaine and Rachel’s “Tonight” is decent enough given it was performed before their sexual awakening. The Warblers had some fun with Billy Joel’s “Uptown Girl” but without Blaine on lead it lacked something. The choreography was tight though. The real treat this week was Santana who made “A Boy Like That” and “America” her bitches. Rachel and Blaine rounded out the hour with “One Hand, One Heart” over the foreplay montage.

It is very annoying that this episode is treated as something so controversial and polarizing when teens are having sex on TV all the time in other shows that no one seems to get upset about. I suspect the fact that Glee does pull in a bit younger demographic than they really intended to has something to do with it, but I think the larger issue with concernstipated conservatives is not so much that teens are having sex on Glee but that gay teens are. No one seems at all upset that Puck routinely sleeps with older women while cleaning their pools.

Next week it appears Glee is diving headlong into the rival glee club drama and Puck is making his move on Shelby.

Glee: “Pot O Gold”

I have to wonder after seeing this most recent episode of Glee if executive producers Ryan Murphy and Brad Falchuk are too busy with American Horror Story to pay any attention to their singing cash cow. “Pot O Gold” was written by Ali Adler who is new to the Glee team and the ex-girlfriend of Sarah Gilbert and it was a big mess.

The dilemma this week, as with most weeks, is that Sue is still on her tired and at this point ridiculous campaign to cut funding for the arts in school all because she hates Will Schuster’s hair. Some weeks Sue is funny but this was not one of those weeks. Each season she seems to evolve just a little only to be reset back to default settings. I really thought we had broken through a wall with the death of her sister and her seemingly genuine appreciation for what the New Directions did for her, but that is all gone and I am getting bored with her fast.

Also boring but in a different way is the manic schizophrenic bi-polar-esque breakdown of Quinn Fabray. She started out this year as a pink haired skank channeling Betty Rizzo and now she’s back to wearing sweaters and pretending to want to sing while she plots the reacquisition of the baby she gave up for adoption back in season one. Quinn has acknowledged since day one that she doesn’t believe there is any future for her outside of Lima, Ohio but I don’t understand why she wants the baby back so badly and so suddenly. For someone so down on herself she seems strangely confident that she’d be an amazing mother despite having no discernable income to speak of and the only prospects for a man to help out being Puck who only wants to clean pools and doesn’t seem all that into her anyway. But she’s only 17 and teens are stupid! Maybe so, but I don’t buy it. Further adding to this mess is her plan to have Shelby declared unfit. Puck quickly realizes this plan is cray cray and sabotages the plot before it gets out of hand. Oh and he spent half the episode with his shirt off so YAY PUCK!

Speaking of cray cray, Brittany took her special blend of nutty to a whole new level this by believing her new live-in exchange student Roy Flanagan is a leprechaun. I feel bad for Damian McGinty that his introduction to the show after winning The Glee Project was so silly and contrived. The gag was old before the first commercial break and they drug it out for the entire hour! He did get two good songs in though, and the boy can sing. The good news though is that Brittany and Santana are officially dating and I think “officially” means “secretly” in this case. And Santana uses her power over Brittany to lure her into joining Shelby’s all girl show choir The Troubletones. With New Directions splintered Roy gets his chance to shine despite being shoved around the halls of McKinley by jocks with inexplicably epic mullets.

With so little to like about this episode I must give mad props to Burt Hummel. His decision (with some prodding from Will) to run for Congress against Sue was the one plot development to come out of this week that I really enjoyed. I have a good feeling he’ll win which will open up the door for the Hummel’s to leave the show when Kurt graduates at the end of this year. The seed was planted for Finn to take over running the auto shop should Burt head off to Washington which gives Finn a future to grab onto that doesn’t involve going to New York and the basis for some friction with Rachel. Sue in Congress just doesn’t make sense and suffering a landslide defeat to Burt would send her spiraling into another level of madness that could actually be funny.

Now what about the music? Roy’s “Being Green” was a bit sappy for my taste and seemed a little forced, but I’ll cut the kid some slack since he’s new. He really showed his range on “Take Care Of Yourself” even if the song was a bit weird. Blaine’s “Last Friday Night” was fun but crammed into the plot with a shoehorn. I did enjoy Puck’s “Waiting For A Girl Like You” but it wasn’t clear if he was singing to Beth or to Shelby. It could be both I guess. The highlight of the hour was “Candyman” by The Troubletones. Brittany, Santana and Mercedes together are a force of nature and that is just a great song.

Glee returns next week with lots of sex and more boys kissing!

Glee Bloopers are Better than Rainbows

Check out this hilarious collection of bloopers from the set of Glee as the cast attempts to tape some behind-the-scenes interviews. Based on what we see here, I think Chord Overstreet should get to show off his impression skills on the show. He’s really good. Jayma Mays has some fun with proper narrative form and Mark Salling busts some sweet dance moves. What more reason do you need? Hit the cut to watch. Would a Glee blooper be called a glooper?

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