Naya Rivera

May 24, 2013

REVIEW: Glee “Heart”

Who would have thought that Rachel’s two dads could breathe so much wonderful gay life into the gayest show on television? Glee has really been struggling this year. The music has been boring for the most part and at least half the time I find myself not caring at all about what’s going on. There have been bright spots and Rachel’s dads are by far the brightest.

This week was all about Finnchel’s upcoming nuptials and how most rational people don’t think it’s a good idea. Imagine their surprise when Rachel’s dads Leroy (Brian Stokes Mitchell) and Hiram (Jeff Goldblum) as well as the Hudson-Hummels embrace the idea fully and join together for a family dinner to celebrate. Too good to be true right? Right. The whole thing is a ruse to force Finn (Cory Monteith) and Rachel (Lea Michele) to face the realities of what they are about to do. I really loved the conversation between Hiram and Burt about lube! After dessert they sent Finnchel upstairs for the “teenage lovemaking”. It was a clever ruse on their part, and we all know the gays are known for their cleverness, but the whole thing backfired and now Finn and Rachel are even more intent on heading to the Chapel of Love.

So what else went on? Mercedes (Amber Riley) gave Sam (Chord Overstreet) and Shane the boot and feels so guilt about her whoring ways that she formed The God Squad. Her little chastity club consists of Quinn (Dianna Agron), Sam and new kid/Glee Project alum Teenage Jesus (Samuel Larson). He wears sandals and looks like he might smell bad, but he has a really nice voice. The God Squad decides to make some extra cash singing Valentines messages to the students of McKinley. They find their first customer in Finn who orders a big courtyard production of Stereo Hearts for Rachel. Mercedes delivers her own Valentine message with a wonderful and remarkably poignant version of Whitney Houston’s “I Will Always Love You“. Rest in peace Whitney!

Also looking for some love is Santana (Naya Rivera) who finds her attempts to show Brittany (Heather Morris) any affection thwarted by Principal Figgins. The moment he bellowed “TEENAGE LESBIANS!” in the school hallway was my favorite of the show I think. I plan to wander the halls of my office today shouting it as well. Santana eventually hits up the God Squad for a song and Brittany gets her Valentine song, a mashup of “Cherish” by The Association and “Cherish” by Madonna.

Rory (Damian McGinty) got some air time this week as he had a montage-battle with Artie (Kevin McHale) for the affections of the tonally challenged Sugar (Vanessa Lengies). Rory’s speaking voice and Rory’s singing voice seem to come from two different people and I like both of them. He won Sugar’s attention with a soulful, puppy-eyed version of Michael Buble’s “Home” but it looks like he might have lied just a teeny bit about being sent back to Ireland. Bad form Rory. Bad form indeed. Artie’s “Let Me Love You” was a treat as well.

The big surprise this week was the reveal of Kurt’s secret admirer. He had assumed it was Blaine the whole time even though everyone with opposable thumbs knew it wasn’t. I’ll admit I was stumped by who the man in the monkey suit might be until he removed the mask and I was like “OF COURSE!”. I suspected Dave Karofsky (Max Adler) had developed tinglings in his boxers for Kurt when they ran into each other at that tacky gay bar a few episodes back and it was nice to see Dave again. Is he looking cuter than before or is it just me? Anyway, Kurt shot him down as nicely as he could but Dave didn’t take it well. I suspect this isn’t the last we’ll hear of it. Blaine finally did show up to sing “Love Shack” with the crew. Maybe he’s back from his Broadway hiatus now.

Between Rachel’s gay dads, Karofsky’s baby steps out of the closet, Santana’s stand against double standards for hallway smooching and The God Squad’s debate on homosexuality and religion this could have easily been preachy episode. Instead I thought it was all handled rather well. Hiram and Leroy were not over the top as they easily could have been. I worried that these two would end up being more like Armand and Albert Goldman from The Birdcage and that would have been a tad too cliche. The music was pretty good too with Mercedes’ Whitney number being the stand out for me. Mike and Tina’s “L.O.V.E” was very nice too.

Next week is the winter finale and REGIONALS! Who do you think will win? McKinley or Dalton?

REVIEW: Glee “Extraordinary Merry Christmas”

The holidays have me busier than usual this year so I didn’t get a chance to polish my yule log and catch Glee’sExtraordinary Merry Christmas” until later in the week. I can be a bit unfair to Christmas themed episodes due to the fact that I find Christmas music to be extraordinarily very tedious. Call me a Scrooge if you must but I did try very hard to not let my unmerry tendencies influence my enjoyment of this episode.

There was very little in the way of plot this week and based on what did seep through it was probably a good thing. It became obvious early on that Sue’s doctor has adjusted the dosage on her meds because she was so full of love and cheer that I expected her to ride down the street on the back of a reindeer throwing candy canes. I enjoy sweet Sue and wish we saw more of her. Long gone are the days when we were treated to heartwarming scenes between Sue and her sister. It’s time to give Sue a life outside of McKinley that does not involve being horrible to everyone.

This year her cause is bringing joy and cheer to the local homeless shelter and she enlists the help of New Directions to provide some Christmas music. The kids agree but quickly ditch Sue (Jane Lynch) in favor of local stardom and fame when offered their own basic cable Christmas special. And with a budget of $800 they manage to serve up a glossy 1960s Christmas full of lame (on purpose) jokes and lots of innuendo. The special-within-a-special was pretty fun actually and they could have salvaged the episode by taking us out of reality completely and devoting the entire hour to this black and white wonderland.

The episode was merry enough, and did remind me a bit of those terrible yet mesmerizing Christmas specials from my childhood that often featured unlikely duets such as Perry Como and Charo doing songs like “Have a Hoochie Coochie Holiday”. When thought of as just a standalone special it sort of works. But with all the lesbian drama and Sam (Chord Overstreet) being away from his family I think they really missed a chance to give us a heartfelt and emotional hour of television about the true meaning of the season. Instead we got a half-cocked sub plot about Rachel (Lea Michele) being selfish (SURPRISE) and learning that Christmas is about giving not receiving. YAWN. Give me Charlie Brown and his sad little tree any day over that mess.

The music was not awful, and that’s good because there was a lot of it. Mercedes (Amber Riley) kicked things off with “All I Want for Christmas Is You” and the songs came fast and furious, including “Blue Christmas” (Rory), “River” (Rachel) and the new track “Extraordinary Merry Christmas” (Blaine & Rachel). The title track was the best one of the lot actually. River was just painful but I think that’s because Tori Amos did that song at her Atlanta show back in November and well…sorry Rachel but she blew your maudlin warbling out of the water.

The TV special contained its own set of songs: “Let It Snow” (Blaine & Kurt), “My Favorite Things” (Mercedes, Rachel, Kurt & Blaine), “Santa Claus is Coming to Town” (Finn & Puck), “Christmas Wrapping” (The Cheerios) and “Do They Know It’s Christmas” (Everyone). None of them really stood out for me but I wasn’t wincing in pain either so let’s hear it for Christmas miracles.

That’s it for Glee in 2011. Let’s hope Ryan Murphy and team come back in 2012 with a fiery hot whirlwind of awesome episodes.

‘Glee’ goes purple for the big premiere

Glee roared back onto Tuesday nights with a bunch of changes and a lot of new faces. Team McKinley wasted no time in dealing out the whos and whats and got us all up to speed within the first few minutes. Lauren (Ashley Fink) is gone, from Glee Club at least and possibly from our consciousness and that is just a crying shame. Also gone is Trouty Mouth Sam (Chord Overstreet) who we found out for sure dated Mercedes for a hot minute back in June and has since moved away. Mercedes (Amber Riley) has since moved on to a big hunk of chocolate lovin who wants to make cocoa babies with her. About time Mercedes got some. Wait, I keep forgetting these are high school kids. Anyway, Quinn (Dianna Agron) also seems to be M.I.A as the gleeks convene in the choir room for some melodic geekgasms with Mr. Schue.

Schue (Matthew Morrison) has his work cut out for him this year now that Sue (Jane Lynch) is running for local congress and is hell-bent on ending federal funding for the arts in public schools. Schue and his lady Emma (Jayma Mays) go on the offensive with a glitter-bomb during Cheerio tryouts that unfortunately backfires. Schue and his songbirds are also facing a humiliating Nationals loss and the inevitable backlash from the student body. He hoped to get thing going again with his weird and misguided Purple Piano Project but all he managed to do was get one set on fire and another destroyed by Hurricane Sue. So far the year is not off to a good start.

The winner of The Glee Project made an appearance when Kurt (Chris Colfer) and Rachel (Lea Michele) went to a NYADA (New York Academy of Dramatic Arts) mixer to kick off their Broadway dreams. McKinley’s two stars got served a piping hot ladle of truth when the other hopefuls basically danced and sang circles around them and they were left crying in Rachel’s Chevy Volt while garden-hose rain poured down.

There were some fun moments, my fave being the delusional Glee club hopeful Sugar whose audition was the stuff nightmares are made of and her Aspergers the stuff of comedy gold. I hope we see more of her shouting inappropriate things at people in the future. The big shock of the night came from Quinn who finally showed up looking like an extra from The Legend of Billy Jean with pink hair and a band of new friends who call themselves The Skanks. I don’t really know where this complete change of character came from but her wistful looks at her old castmates doing jazz hands means it probably won’t last long. I kind of like the pink hair though.

More big news came when Blaine (Darren Criss) transfered to McKinley to spend more time with his boyfriend Kurt. This spells trouble for Finn’s spot as the male lead but I think it will be a nice breath of fabulous air for them. I especially liked Blaine’s sassy red pants but I think I’ll miss the cute Warblers blazer and their tight choreography. Oh, and let’s not forget that Santana (Naya Rivera) was banned from Glee Club for being a traitor! That won’t be good for anyone cause you know she’s a spiteful little thing.

The music didn’t dominate this episode which was nice. I’m guessing since they had a lot of exposition to get through there wasn’t a lot of room for warbling. But the songs they did sing were pretty good. The lunchroom Go-Gos party with “We Got the Beat” was appropriately peppy but nothing I feel I need to download on Itunes just yet. Kurt and Rachel’s song from Wicked “Ding Dong the Witch is Dead“ was wonderful of course. I really should see that show eventually I suppose. Blaine tore up “It’s So Unusual” but Blaine tears up everything and he can keep right on doing it as far as I’m concerned. I wasn’t nuts about the medley the NYADA kids did but the “You Can’t Stop the Beat” finale was good stuff.

My favorite quote:

Brittany: I have pepperoni in my bra.
Santana: Those are your nipples.

Glee seems to be getting back to it’s fun season one roots this year and I say bring it on. Things got a bit heavy handed last year despite some great episodes. This premiere brought enough shake ups and the promise of our seniors leaving at the end of this year should be enough to keep things interesting. Welcome to another year of Glee folks.

Tune in next week when we find out what the heck “I Am Unicorn” means.

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